An­nette Wein­traub


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Bio:


  • ISEA2011

    An­nette Wein­traub is a media artist whose pro­jects embed lay­ered nar­ra­tives within a va­ri­ety of ar­chi­tec­tural con­structs. Her work is an in­ves­ti­ga­tion of ar­chi­tec­ture as vi­sual lan­guage, and fo­cuses on the dy­nam­ics of urban space, the in­tru­sion of media into pub­lic space and the sym­bol­ism of space. She cre­ates web pro­jects that in­te­grate el­e­ments of nar­ra­tive, film and ar­chi­tec­ture within a con­cep­tual rep­re­sen­ta­tion of space to ex­plore modes of spa­tial rep­re­sen­ta­tion and the sub­jec­tive ex­pe­ri­ence of phys­i­cal space. Re­cent ex­hi­bi­tions in­clude: 2010 FILE, Elec­tronic Lan­guage In­ter­na­tional Fes­ti­val, Sao Paulo; “A Slow Re­veal…”  at Uni­ver­sity of Mary­land, Col­lege Park, and “Day of the Dead,” at the Ever­hart Mu­seum, Scran­ton, Penn­syl­va­nia. Her pro­jects have been shown at venues that in­clude: The At­lanta Con­tem­po­rary Art Cen­ter; The In­ter­na­tional Art Bi­en­nial-Buenos Aires; 5th Salon de Arte in Cuba; Video Bi­en­nal Is­rael; The 5th Bi­en­nial of Media and Ar­chi­tec­ture in Graz Aus­tria; The Whit­ney Bi­en­nial; The In­ter­na­tional Cen­ter for Pho­tog­ra­phy/ICP; The First Chi­ang Mai New Media Art Fes­ti­val; The In­ter­na­tional Film Fes­ti­val Rot­ter­dam; Thir­teen/WNET TV’s Reel­NewYork­Web; Viper in Switzer­land; at SIG­GRAPH and ISEA and nu­mer­ous other na­tional and in­ter­na­tional ex­hi­bi­tions. Com­mis­sions in­clude The Rush­likon Cen­tre for Global Di­a­logue, CEPA and Tur­bu­lence. Her work has been cited in many pub­li­ca­tions, in­clud­ing: Aper­ture, Art in Amer­ica, Art­fo­rum, Art­Byte, Newsweek, The New Yorker, New York Mag­a­zine, The Boston Globe, Leonardo, and In­tel­li­gent Agent as well as on­line ci­ta­tions in­clud­ing the New York Times, CNN.com and Ne­tArt Re­view, She is Pro­fes­sor of Art at The City Col­lege of New York, CUNY.


Role(s) at the symposia over the years: