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ISEA2025 - [Seoul, KR]
ISEA2014 - [Dubai, UAE]
ISEA2000 - [Paris, FR]
ISEA2024 - [Brisbane (Meanjin), AU]
ISEA2013 - [Sydney, AU]
ISEA98 - [Liverpool / Manchester, UK]
ISEA2023 - [Paris, FR]
ISEA2012 - [Albuquerque, USA]
ISEA97 - [Chicago, USA]
ISEA2022 - [Barcelona, SP]
ISEA2011 - [Istanbul, TR]
ISEA96 - [Rotterdam, NL]
2021 Pre-2022 Event - [Virtual / Barcelona, SP]
ISEA2010 - [Dortmund, Essen, Duisburg, DE]
ISEA95 - [Montreal, CA]
ISEA2020 - [Virtual / Montreal, CA]
ISEA2009 - [Belfast, UK]
ISEA94 - [Helsinki, FI]
ISEA2019 - [Gwangju, KR]
ISEA2008 - [Singapore, SG]
FISEA'93 - [Minneapolis, USA]
ISEA2018 - [Durban, ZA]
ISEA2006 - [San Jose, USA]
TISEA (1992) - [Sydney, AU]
ISEA2017 - [Manizales, CO]
ISEA2004 - [Helsinki, FI & Tallinn, EE]
SISEA (1990) - [Groningen, NL]
ISEA2016 - [Hong Kong, SAR China]
ISEA2002 - [Nagoya, JP]
FISEA (1988) - [Utrecht/The Hague, NL]
ISEA2015 - [Vancouver, CA]
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Creation of Change
Linear Rainfall Fountain
Lapping it Up
Portobello and Pirouettes, or, Do We Always Need “Narrative” If We Have Content?
Divided We Speak
“Dynamic Behavorial Spaces: Interactive Art in Public” presented by Rogala
“Public vs Public: The Pedestrian Gesture” presented by Collins
The Wild West and the Frontier of Cyberspace
VR as RV: an exploration of mind/environment
Identity Crisis: Cultural Mapping
MS Stubnitz
Pathogenic Vectors
A General Overview to Video and Media Art in Russia
Songlines
“CyberSM III” presented by Woolford and Stenslie
Stomach Sculpture, Hollow Body, Host Space
She Loves It, She Loves It Not: Women and Technology
Game fashion 2.0. the semacode dress. a quick-read-code camouflage collection
Contested perception: five digital sculptures
Urban intersections
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