“Rituals of art and science to decompart-mentalize knowledge” presented by Forcucci and Herbelin

“Rituals of art and science to decompart-mentalize knowledge” presented by Forcucci and Herbelin

“Posthuman Rituals” presented by Rajcic and McCormack

“Posthuman Rituals” presented by Rajcic and McCormack

“Speakers, More Speakers!!! – Developing Interactive, Distributed, Smartphone-Based Immersive Experiences for Music and Art” presented by Forgette, Gillikin, Manaris and Ramdsen

“Speakers, More Speakers!!! – Developing Interactive, Distributed, Smartphone-Based Immersive Experiences for Music and Art” presented by Forgette, Gillikin, Manaris and Ramdsen

“NUAGE: A Digital Live Audiovisual Arts Tangible Interface” presented by Bilodeau, Gagnon and Breuleux

“NUAGE: A Digital Live Audiovisual Arts Tangible Interface” presented by Bilodeau, Gagnon and Breuleux

“Click::REVU. An Optophonic Sound Installation” presented by Dunham, Zareei, McKinnon and Carnegie

“Click::REVU. An Optophonic Sound Installation” presented by Dunham, Zareei, McKinnon and Carnegie

“Machine Learning-based Approaches in Biometric Data Art” presented by Han

“Machine Learning-based Approaches in Biometric Data Art” presented by Han

ISEA2022 Swalwell: The Australian Emulation Network

“The Australian Emulation Network: Accessing Born Digital Cultural Collections” presented by Swalwell

ISEA2022 Gao: The Future of Art Museums

“The Future of Art Museums in the Digital Age: VR for Archiving Purpose” presented by Gao and Guljajeva

“AI Creativity: AI.R Taletorium, New Storytelling Realm” presented by Nikolic, Liu and Bertin

“AI Creativity: AI.R Taletorium, New Storytelling Realm” presented by Nikolic, Liu and Bertin

“Imitation-Classification–Construction: Vessels of Vanitas and the Changing Meaning of Ornament” presented by Klein and Kraemer

“Imitation-Classification–Construction: Vessels of Vanitas and the Changing Meaning of Ornament” presented by Klein and Kraemer

“After Dan Graham: An archaeological approach to virtual reality art” presented by Han

“After Dan Graham: An archaeological approach to virtual reality art” presented by Han

“Image Manipulation Practices Through the History and Evolution of Photography” presented by Bravo

“Image Manipulation Practices Through the History and Evolution of Photography” presented by Bravo

“After the Tunnel: on Shifting Ontology and Ethology of the Emerging Art-subject” presented by Ag and Benayoun

“After the Tunnel: on Shifting Ontology and Ethology of the Emerging Art-subject” presented by Ag and Benayoun

“Art and the Broken Mirror: a Technogenetic Perspective on Digitally Expanded Realities” presented by Ag

“Art and the Broken Mirror: a Technogenetic Perspective on Digitally Expanded Realities” presented by Ag

“The Unbearable Lightness of Meaning Game” presented by Grace

“The Unbearable Lightness of Meaning Game” presented by Grace

“Storydiving: Techniques for Engaging 360 Narratives” presented by Lipsyc

“Storydiving: Techniques for Engaging 360 Narratives” presented by Lipsyc

“Simulating Photography: Images Made by the Scanning Electron Microscope” presented by Tyurina

“Simulating Photography: Images Made by the Scanning Electron Microscope” presented by Tyurina

“Privacy in the Age of Mobile XR” presented by Rodriguez and Laurenzo

“Privacy in the Age of Mobile XR” presented by Rodriguez and Laurenzo

“Cognitive Assemblages in Ecological / Digital Art” presented by Rettberg

“Cognitive Assemblages in Ecological / Digital Art” presented by Rettberg

“The Idiosyncrasies of Shutter Speed” presented by Toister

“The Idiosyncrasies of Shutter Speed” presented by Toister

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