Paper – Page 4 – ISEA Symposium Archives

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“View from Above: Drone art and hacktivism for landscape transformation awareness” presented by Resende, Mendes and Ângelo

“The Tapestry: Past and Possibility in the History of Magic” presented by Anders

“Nonhuman Creativity in Generative Art: Beyond the Anthropocentric Paradigm” presented by Sofokleous

“Nam June Paik’s Bibimbap Aesthetics as a Korean Reinterpretation of the Gesamtkunstwerk” presented by Ha

“The Medium is the Environment: Digital Materialism, Digital Art, and the Climate Crisis” presented by Day

“Towards the Sonic Laboratory: Laboratories’ creative potential” presented by Gracia

“Arts, Science and Technology in the ISSM Project and Exhibition” presented by Doyle, Glover, Khechara and Groes

“Transforming Practices: a practice-based research approach to teaching emerging media at undergraduate level” presented by Fry and Marsh

“Supra-dimensional Cinema: VR Case Study ‘TesserIce’” presented by T. Waite

“Spatial Photograms: Experimental Cyanotype Photography using 3D Scanning and Printing Technologies” presented by Fong and Klein

“The Process of Word Automation: From the Spoken Word to the Algorithm” presented by Pérez-Campos

“Internet vernacular creativity. Vaporwave, counterculture and copyright” presented by Gómez

“A Mixed Reality Installation to Elicit Reflexivity on Adverse Childhood Experiences” presented by Liu, and Cassinelli

“3D Printing backwards” presented by Harper

“Merging Art, Media, and Ecology: Diego Rivera and Ariel Guzik at the Cárcamo de Dolores” presented by Pederson

“Pulcher Aureus Filum. Biological Substrate Computers and the Ecological Paradigm Shift” presented by Cardoso

“Artificial Life within a frame of metacreation on stage” presented by Cı̂rcu, Teles de Castro e Costa and Chen

“Made you look: crossing visual attention with computational design to create motion-based visual distractions” presented by Sousa, Rodrigues, Machado and Coelho

“Queer Communication: Human-Nonhuman Encounters” presented by

“Museum Practices and Posthumanist Assemblages: Activating the Possibilities of Technology Collections” presented by Lawler-Dormer and