Antarctica Underwater: Art & Science

Symposium:


Session Title:

  • Climate Change

Presentation Title:

  • Antarctica Underwater: Art & Science

Presenter(s):



Abstract:

  • We present an overview of the interactions of Oceanographers with an artist who wandered into their midst five years ago, focusing on the current project from Antarctica. Concerns of climate change drive this work for both artist and scientist. How do we create intuitive empathy for the largely unseen and unnoticed life that makes possible our life on this planet?

    Antarctica: Scientists on a Mission
    The video Antarctica Underwater is largely constructed from incidental footage collected in icy cold Antarctic waters, hundreds of meters below the surface, as a seal bumped into an underwater camera and a serene jellyfish floated by, as did a ctenophore. The scientists knew that what they filmed was interesting, but the footage was short, flat, and dull in raw form. The five to ten second vignettes were like phrases waiting to be put into a coherent sentence, not yet carrying full weight.

    Relative Realism
    Woven into the video are the barely visible shrimp-like krill, that serve as food for seals, penguins and whales, and the microscopic plankton that produces half of the oxygen in our environment, and thus essential to human survival on Earth. We quickly agreed it is impossible to convey the sense of the variety of microscopic and tiny life in the ocean next to large animals while maintaining relative scale, and thus creating the sensations of teaming interdependent life won out over scientific realism.

    Technical Challenges
    Working with video collected for other purposes meant green-screening an ice-fish, sharply contrasting light and dark, and slowing down a diving seal. Above all else, it also meant using a software spotlight to digitally relight the raw footage, to both eliminate the straight edges of the video rectangle, and to make visible the seal, jellyfish, and krill that happened to swim out of the range of the physical real spotlight. It was a long adventure to become familiar with this harsh environment, and the work continues.

    In the next phase, this will be a video in color. It may lead to an Augmented Reality work, and/or still images. The impetus of working for ISEA 2016 Open Sky forced limitations that brought out a new familiarity with the raw source material. It became clay to be molded into sensations of the underwater life that must be preserved for the survival of life.

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