Jean-Pierre Mot: Annotated Photography
Title:
- Annotated Photography
Artist(s) and People Involved:
Exhibiting Artist(s):
Symposium:
- ISEA2020: 26th International Symposium on Electronic Art
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More artworks from ISEA2020:
Creation Year:
- 2020
Medium:
- Photography
Artist Statement:
Through annotations this Instagrammable work of j.p. mot’s personal archive pokes light jabs on the subject of Asians being seen as a foil to privilege and a scapegoat for identity politics: somewhat of a buffer to gatekeep class/race disparity and an “acceptable” output for triggered anger toward the perfect subaltern. As we are humble and nice we nod and smile…
There’s always the component of the lived experience vs the myth of meritocracy. In which there’s constant validation of this idea of the subaltern in the rhizome of society. Who, if they (the subaltern) work hard enough and are being an outstanding productive member of their society, can rise above their station. Without discounting anyone’s lived experience or qualitative information at hand… the problem is that it (the notion of meritocracy) is still deeply embedded in the notion of shame in line with normalizing instances of micro-aggressions toward minorities. How great do you have to become in this equation of inequity to have the same worth as the privilege to receive basic reciprocity? The myth of meritocracy extends and maintains itself through niceness and humbleness which both participate in conserving a sense of stagnation and status quo in racial disparities due to systemic and institutionalized bias.
