Paper Presentations (Sorted by Title)
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[Title] [Presenter Last Name] [Year]
Title:
A Method to Being: The Time Space Scanner
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A Study NPR Rendering with Spiral Drawing Style: Focused on the SSD (Single line Spiral Drawing)
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A thousand tiny interfacings: fertile acts of resistance
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Acting-Centred Definitions of Vactors, Synthespians, and Digital Doubles
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Affective Atmospheres | Ambient Feedback Ecology
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After Dan Graham: An archaeological approach to virtual reality art
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After the Tunnel: on Shifting Ontology and Ethology of the Emerging Art-subject
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AIBO: An Emotionally Intelligent Artificial Intelligence Brainwave Opera – Proof of Concept
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Alberti’s Window V2.0: A Vision Machine for Expanded Spaces of Representation
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Ambient Commons and the Eternal Passage of the Sun in Generative Public Art
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And the Earth Sighed: A Case Study
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Anonymous: VR Storytelling Through Alienation and Reflexivity
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Applying Interaction Design for Building Mediated Experiences by Technology to Foster the Ancestral Culture of Colombia. Case: Kosmos Astronomical Museum
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- Clara Isabel Pantoja Muñoz
- Carlos H. Sánchez Benavides
- Carolina Ledesma
- Andrés Felipe Gallego Aguilar
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Approaching Sustainability: Generative Art, Complexity, and Systems Thinking
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ART AND BIOTECHNOLOGY: The Curatorship in the Light of the Exercise Between, Technology, Philosophy and Politics
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Art and Interaction: Language and Meaning Production
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Art and the Broken Mirror: a Technogenetic Perspective on Digitally Expanded Realities
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Art in the Solar Age: Some Regards on Visual Arts in the Solar Age
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Art Museums Facing the Light of Reality: An Approach to Virtual Reality Inside Museums
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Artistic Brain: A Complex Nonlinear System as Advanced Neuroesthetic Research
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ARTiVIS DIY FOREST SURVEILLANCE KIT
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At the Edge of Dream World: Media Encounters in Architectural Venues
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Augmentations Across Virtual and Physical Topologies: Mixed Reality Re-assembled
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Autism And Theory Of Mind In Interactive Spaces
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Avoid Setup: Insights and Implications of Generative Cinema
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Baby X: Digital Artificial Intelligence, Computational Neuroscience And Empathetic Interaction
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Biometric Visceral Interface: A Soft Robotic Immersive System for Extended Perception
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Biting Machine, a performance art experiment in human-robot interaction
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Blurring Borders Between the Real and Digital Worlds
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Capricious Creatures: Animal Behavior as a Model for Robotic Art
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Cinematic experiences and the digital moving image
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Cognitive Assemblages in Ecological / Digital Art
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Cognitive Beings: Brain Mechanisms Discussed in Cultural Studies
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Collaborative Registers of Interactive Art
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Colliding Realities: Acoustical Accidents and Clouded Texts in Stelarc’s Internet Ear
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Colliding Systems: Formal and Real-Life Learning
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Colors For All : Immersive Narrative 360 Video for Color Blind Awareness
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Community Mapping: FROM REPRESENTATION TO ACTION
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Compositional Approaches to Spatialisation with the speaker.motion Mechatronic Loudspeaker System
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Conservation of Shadows: Shared Physicality Between Worlds
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Cooperative Experimentalism: Sharing to Enhance Electronic Media
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Corporeal Cinema: Tactility and Proprioception in Participatory Art
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Creating #Citizencurators: Putting Twitter Into Museum Showcases
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Creation of Meaning in Processor-based Artefacts
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Curating/containing: Exhibiting Digital Art about Mental Health
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Cybernetic Configurations: Characteristics of Interactivity in the Digital Arts
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DATA ECOLOGIES: Laika’s Dérive and Datawork
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Data Won’t Change Your Behavior: A Critical Design Exploration of Quantified Self Technologies
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Decomposing Landscape: Hearing the Troubled Site
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Dérive in the digital grid, breaking the search to get lost
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Design of Pictographic Signs for the Educational Area
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Design Process for Wearable Technologies and Urban Ecology: AirQ Jacket
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Designing for Bottom-Up Adaptation to Extreme Heat
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Developing Creative AI to Generate Sculptural Objects
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Digital Material and Creative Practice
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Digital Museum and User Experience: The Case of Google Art & Culture
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Diligent Operator: The Resurrection of Musique Concrète with Max/MSP Jitter and Arduino
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Does Ritual Disappear as Walter Benjamin Describes in “The Work of Art in the Age of Mechanical Reproduction” in the Age of Digital Technology?
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Domains, Publics and Access: A Wiki In Progress On Access Archaeology
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Eastern Cultural Heritage, Digital Remediation and Global Perspectives
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Electronic Music Is Here To Stay. Or Is It?
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Emergence of (Experimental) Computer Art in Brazil: Pioneers and Events
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Emoto: Visualising the Online Response to London 2012
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Encoding Colours: from the trichromatic theory to the electromagnetic signals
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Espherica01: Visions of Free Falling Water in Stroboscopic Media
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Experimental Cultures and Epistemic Spaces in Artistic Research
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Exploring the Metahuman through Inverse Biotelemetry
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Exploring the Responsive Site: Ko Maungawhau ki runga
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Extending/Appending The Perceptual Apparatus: A History of Wearable Technology in Art
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Facing Death and Afterlife in Electronic Art
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Flower Wall Project: A Case Study in Participatory Art Utilizing Social Media
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Fluid Processor Design for Ecological Computing: a new techno-ecological computing paradigm for sustainability
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Forgotten Landscapes: Interactive Virtual Reality in Public Art
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FormLaboratory: Interfacing Technology with Site
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Fostering Care and Peaceful Multispecies Coexistence with Agential Provotypes
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From Coexistence to Interaction: Influences Between the Virtual and the Real in Augmented Reality
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From Here to Eternity: Experimental and Creative Approaches to Collecting and Distributing New Media Art Within Regional Arts Organisations
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From Interaction to Post-Participation: The Disappearing Role of the Active Participant. Introducing Research Framework of Post-Participation
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From Real to Virtual Embodied Performance: A Case Study Between Dance and Technology
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From Sound to Waves to Territories
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Fugitive Color and the Choreographed Escape
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Game Engines As Prehension Of Incomputable Data: the processual effectivities of game engines
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GestureCloud: Gesture, Surplus Value and Collaborative Exchange
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Grene Epiphytes, an Immersive Bio Artificial-Life Artwork
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Hackitectures: Reordering Physical Spaces, Electronic Flows and Social Bodies
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Hauntology, the Penumbra, and the Narratives of Play Experience
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Heavy Metal and the Oratorio for a Million Souls
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Hello, World: The Artist’s Palette Using New Media among Atoms, Bits, and Connectivity
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Hertzian, Disruptive, Experimental Text Physicalizations
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Heterochronicity: Historicizing Drainage and Enlightenment in Mexican Ecological Art
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Hong Kong’s Yellow Umbrella (2014): A Prescient Political Game
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Humanoid Robot Magic: Various Responses and Communication
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Humpy: An Early Australian Architectural Projection
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Hyperdressing: Wearable Technology in the Time of Global Warming
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Imagined Geography, Interstitial Futures, Guatemex
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Imitation-Classification–Construction: Vessels of Vanitas and the Changing Meaning of Ornament
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In Search of Holistic Spirituality: A Philosophy of a Physi-Musiking Practice
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In the Spotlight: Searchlights, Art, Surveillance and Spectacle
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Innovative Forms Of Healing: New Media Art as a Catalyst for Lasting Change in Therapeutic Settings
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Interactive Art Based on Musical Genealogy: Nam June Paik’s Random Access
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Interactive Technology as Toolkit: Structure of Communication, Senseware, and Research Strategy
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Interplay of Scripts and Resistance in a Participatory Workshop
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"Jam to-morrow and jam yesterday – but never jam today." The White Queen to Alice, Through the Looking Glass, Lewis Carroll
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"Japanesque Modern" in Media Design Education
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Journalism Visualization Devices: Six Visual Modes of Seeing
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Kinect-Based Rgb Detection for ‘Smart’ Costume Interaction
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- Lynsey Calder
- Jose Magalhaes
- Ruth Aylett
- Sandy Louchart
- Stefano Padilla
- Mike Chantler
- Andrew MacVean
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Legend of Wrong Mountain: AI Generated Opera
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Lifemirror: On the Circulation of Light in Networks
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Lightening the Hiatuses of Story: A Discussion on Intervals in Story-telling of Interactive Documentary
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Machinic Surrogates: Human-Machine Relationships in Computational Creativity
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Managing Multiplatform Materials: Selected Case Studies
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Manipulating Space, Changing Realities: Space as Primary Carrier of Meaning In Sonic Arts
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Maps of time: exploring the rhythms of a mediated world
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Mechanisms of Listening and Spatial Mental Imagery
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Media Culture and Heritage: Curating Outsidership
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Media-Aesthetic Expressions of Worldly Sympathy The Illuminations of Le Tricolore
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Mediating Exhibitions via Audience Participation on Social Media: Collectivist and Individualist Curatorial Approaches in One World Exposition 2 Exhibitions
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Memex in the Mirror: Using Social Media to Visualize Collective Thought in Real-time
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Memoirs of the Blind: Surveillance, Speed, and Interaction
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Mental maps of Traditional Fisherman in the Caribbean Sea
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Metastatic Membranes: Modulations of Threshold
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Mexican Electronic Art: Reuse and Reinterpretation of Technology
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Misplaced Euphoria: Developing Kinesthetic Empathy Through Interactive Performance
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Mixed Reality Art Experiments: Immersive Access to Collective Memories
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- Jens Herder
- Shinpei Takeda
- Kai Vermeegen
- Till Davin
- Dominique Berners
- Bektur Ryskeldiev
- Christian Zimmer
- Ivana Druzetic
- Christian Geiger
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Modelling Actions Selection and Learning in a Software Pet
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More Than a Render: Digital Humans and the Politics of Representation
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Motivation in Design Strategies for Behavior Change
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Multi-viewpoint Strategies: Ambisonic Auralization and Localization through Walking and Listening as Places of Negotiation in Conditions of Hybridity and Change
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Multimodal Data Portrait for Representing Mobile Phone Use Behavior
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Mysterious Chinese Movable Type Printing From Technology To Art
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Narratives of Locative Technologies as Memory Assemblages
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Occupy This: A Dialogic Dérive
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Of Insects, Wisps, and Uncertainty: A Hermeneutical Comparative Analysis of Ori and the Blind Forest and Hollow Knight
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On the Cohesion of an Electronic Device Ensemble
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One Step: The Impact of Interactive Public Installations on Promoting Public Awareness of Poverty
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Open Estudio: Mapping Intercultural Dialogues through Art and Technology
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- Esteban Garcia-Bravo
- Carlos Mario Sánchez Giraldo
- Pablo Andrés Pulgarín
- Isabel Cristina Restrepo Acevedo
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OpenPaths: empowering personal geographic data
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P@tch: Can We Use DIY Techno-Craftivism to End Armchair Activism
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Place-making With Telepresence: A Navigation Guide to A Journey into Time Immemorial’s Seven Exhibition Spaces
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Plant Based Bio-Drone for Environmental Monitoring in The Amazon
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Poetic Instinct: Aesthetic experience as a vital function
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Politics of HCI and the User-Programmer Continum
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Post-Digital Aesthetics and the Function of Process
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Post-digital Typography Education with Digital Fabrication
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Preservation of Electronic and Digital Art in the Context of Expographic Spaces and Museums: An Information Management Perspective
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Preservation of Material and Immaterial Heritage through Interactive and Collaborative Artistic Interventions
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Privacy in the Age of Mobile XR
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Production Processes of Mexican Digital Artists
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Projects Desluz and ZN:PRDM (Neutral Zone: a River Passes Through Me) by Poéticas Digitais Group
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Prolegomena for a Transdisciplinary Investigation Into the Materialities and Aesthetics of Soft Systems
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Promoting Underrepresented Culture through Media Arts Collaboration
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Prototyping Puppets Beyond Borders
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Public Interface Effects: Re-embodiment and transversality in public Projection
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Reading, Writing, Resisting: Literary Appropriation in the Readers Project Abstract
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Reasonable Weirdness: Integrating Machine Perspective in Visual Creativity
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Rediscovering Korea’s Ancient Skies: An Immersive, Interactive 3D Map of Traditional Korean Constellations in the Milky Way
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Reflective Remediation as Critical Design Strategy: Lessons from László Moholy-Nagy and Olafur Eliasson
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Reimaging Coral Reefs: Remodelling Biological Data in the Design Process
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Reinterpreting Korean ‘True-View’ Landscape Painting Using Graphics Analysis Techniques: The Case of Jeong Seon’s Dosando
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Repeating the Past: Lessons for Visualisation from the History of Computer Art
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Representing Peace in Colombia through Interactive and Transmedia Non-Fiction Narrative
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Resistance Is Feral: Digital Culture, Community Arts, and the New Cultural Gatekeepers
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Responsive Public Space: Performative Immersive Setting in Public Environments
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Retracing the Story of Bourges’s Institute of Electroacoustic Music through Exploratory Programming and Live Visualizations
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Sanity and mental health in an age of augmented and virtual realities
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Seeing Life: The Impalpable Entanglement of an Artist and Microbes in Bio-Art
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Shakefie: Alternative Selfie System to Criticize SNS Platform as a Constructor of Fake Identity
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Shards: Multi-dimensional Stereoscopic Cubism in Virtual Reality
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Shivering Domains: Technologically Mediated Embodiment And Ecologies
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Simulating Photography: Images Made by the Scanning Electron Microscope
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