Panels
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[Title] [Presenter Last Name] [Year]
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(Re)volting data
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...and there was light! Rhetorical Performances in the Digital Realm
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A Computer-Controlled Marionette for ‘Out of the Body Theater’
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A Multi-Cultural ISEA
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A poetics of exile: the place of memory in the new media environment
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A Question of Antagonism: Identity, Representation of Self and New Media in Thailand
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A Seismic Moment: Sound as weapon, from Jericho to Waco
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A Study of the Changing Role of Typographic Education Within the Context of Hypermedia
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About The Appearance of Digital and Technological Arts: For a Rehabilitation of the Memory
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After Privacy: Surveillance, Sexuality and the Electronic Self
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Algorithmic Generation of Temporal Forms
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An Interrogation of Space
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- Peter Anders
- Pamela Jennings
- Jim Leftwich
- Patrick Lichty
- Gregory Little
- Timothy McFadden
- Mike Mosher
- Scott Patterson
- Dan Livingstone
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Anti-Author(ity) Manifesto: Digital World is a Plane
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Anticipated Future; Controller and Controlled: Interchangeability
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Are Endings Necessary? Closure in Interactive Narrative
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Are There Revolutionary Electronic Ethics?
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Art and the Economy: How do they relate in the Digital Age?
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Art In The Post-Biological Era
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- l’Observatoire Leonardo des Arts et des Techno-Sciences OLATS
- Centre for Advanced Inquiry in the Interactive Arts, Science, Technology and Art Research Group CAiiA-STAR
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Art, Design and Interactivity
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Art-Science: Exchange or Bartering?
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Artificial Changelings: A Work of Responsive Cinema in Progress
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Artificial Consciousness: Will Art replace the Artist?
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Artificial Gender, Natural Technology, and Emergent Mind
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Artificial Intelligence in the Arts
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Artistic Electronic Networking Experiences with the First Mobile Electronic Cafe International: Casino Container
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Artists Teaching Artists: Case Studies of the Masterclass paradigm
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Bad Men, Good Men and the Data Ganger Cometh
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Being in Nothingness: Virtual Reality in Perspective
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- Phil Hayward
- Nancy Paterson
- Carl Loeffler
- Jennifer Hall
- Mike Gigante
- Joachim Sauter
- Anna Couey
- Myron Krueger
- Susan Wyshynski
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Between Image and Icon: The Real and Virtual City
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Beyond the Book: Computer-Based Literature
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Beyond The Digital Diaspora: Flame Wars
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Bio-Architectures, Virtual Cities: The Revolutionary Human-Machine Community
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Body Maps: The Virtual Body Project
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Body Matters Panel Introduction
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Bouquets and Backing Tapes: Karaoke Opera
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Boys would only like the programme because there are boys in bands: how preschool children’s television tells the story of contested spaces
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Bringing Interactive Animated Characters Out to the User
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Building Bridges or Tearing Apart Authorship: On-line Collaborative Art
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Can Non-anthropocentric Relationships Lead to True Intimacy with Technology?
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Centers and Institutes for Art and Technology Panel Introduction
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Chastity Belts, Voluntary Incarceration, Sexual Politics & Art
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City Scapes
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- Charlotte Pochhacker
- Hermann Asselsbergh
- Els Opsomer
- Rony Visser
- Sabine Bitter
- Helmut Weber
- Yvonne Wilhelm
- Alexander Tuchacek
- Christian Buehler
- Bart Lootsma
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CoLab panel: performance and interactive technologies
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Collaboration vs. Autonomy: Models of Social Computing in the Arts
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Commedia del Multimedia and Locomotion Pictures Panel Statement
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Computer Animation Panel
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Computer Generated Photography and Neoclassical Sensibility
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Computer Programming and Conception of Cities
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Computer Programming Education and Creative Arts
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Computers and Sculpture
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Computers and Sculpture in the USA and France
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Computers and Sculpture in the USA and France Panel Introduction
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Computers in Theatre: New Dimensions for Stage, Actors and Audience
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Conspiracy dwellings: surveillance in contemporary art
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Coping with Hyperculture
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Corps et sens en Performance Videographique Panel Statement
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Creative industries forum
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Critical Frictions, Connective Affinities: “Ideologies of Interactivity”
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Crossing Boundaries: The Banff Center for the Arts and Interdisciplinary New-Media
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Cultural Maintenance and Change: Currents in Art and Technology
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Culture, Technology and Power: Creative Leisure and Social Change
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Cybersublime: The Aesthetization of Digital Politics
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Data natures: the politics and aesthetics of prediction
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De la Fenetre au Labyrinthe: Les Technologies, le Corps et le Plaisir des Relations
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Devirtualisation: Toward a Critical, Embodied Interactivity
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Devising and Positioning Interactivity in Net projects
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Diagnosing the Computer User: Addicted, Infected, Technophiliac?
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Dialogic exchanges for virtual curation
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Digital Divas Present Between the Sheets
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Digital Tools Panel: Creative Development and Developing Creativity Introduction
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Divergent Generative Art Practices
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Dummies, Dolls and Robotic Simpletons Interpreting Artificial Stupidity
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e-discourse in online networked communities: structure, timing, tone, and affect
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Ecolocated: environment, sound and engagement
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Educational and artistic practice for the convergence of art and technology in Korea
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Educational forum: ISEA2009, ARS Electronica 2009 and Re:live 2009
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EIDEA, An Emergent Interactive Installation for the Interactive Design of Emergent Art
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Electronic Art and Audience Panel Introduction
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Electronic Art and the Globalisation of Culture
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Emerging Architectures in the Virtual Scape: Architecture of (Im)possibilities
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Emerging Platforms for Artist Interaction
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Emotion research forum
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Erotics of the Internet
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Fact, Fiction, Faction: Converging Styles in Literature and Journalism in Online-Publications
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Films: Party, Love Story, M. Monroe, V. Mayakovsky and Manifesto of Neo-Academism
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First Plenary Meeting of the Inter-Society for the Electronic Arts
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- Seth Shostak
- Virginia Barratt
- Christine Schöpf
- Theo Hesper
- Raymond Lauzzana
- Paul Brown
- Wim van der Plas
- Roger F. Malina
- Copper Giloth
- Ken Gray
- Craig R. Harris
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Five Miles of Liquid Tire: Making Sense of Spectacle, Looking, and Illuminated Art in Blackpool (1879 – 1998)
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From Appearance to Apparition: Communications and Consciousness in the Cybersphere
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Games and Gaming in China
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Gender and Technology: The Epistemological Problem
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Gender and Technology: What Problem? Panel Introduction
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Gender Confusion and Other Forms of Cyber Cheating
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Gendered inter/activity? Reflections on memories of prison experience in Northern Ireland’s conflict
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Generative Systems and Generative Art
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Genius Loci: Music, Carnality and Contact-Sound
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Gigantic: Mediation Beyond Surface
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Global Local Panel Intro
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GLUE: Case Studies on how Things Stick
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God and Silicon: Better Eternal Living Through Technology
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Government, citizenship and the public sphere: contested democracy and digital technology
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Greg Garvey – Pedagogy of the Oppressed Panel Notes
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Hearing Inside the Frame: The Mechanics of Pictorialism
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Hype: 1000 Seductions of New Media
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Ideologies of interactivity
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Ideology of Interactivity: Freedom, Choice, Creativity Panel Introduction
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Immerce Cunningham Multimedia Prototype: A Visual Data-base Based on the Dances of Merce Cunningham
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Imperialism and the Sampling of World Sound
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Industries of Culture and Creation Panel intro Panel Statement
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Institutional Networking Research in Art and Technology
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Integrating Digital Technology and Autographic Printmaking
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Integration of Art and Technology for Realising New Communications
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Interactive Design and Electronic Arts
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- Pierre Lavoie
- Joshua Davis
- Olivier Koechlin
- Murielle Lefèvre
- Étienne Mineur
- Casey Reas
- Maurice Benayoun
- Jean-Jacques Birgé
- Minna Tarkka
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Interactive Electronic Art
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Interactive Storytelling
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- Jacques Morizot
- Jean-Pierre Balpe
- Anne Cauquelin
- George Legrady
- Francois Soulages
- Liliane Terrier
- Maren Kopp
- Raymond Bellour
- Jean-Louis Boissier
- Anne-Marie Duguet
- Timothy Murray
- Grahame Weinbren
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Interactive urban installations in contested virtual spaces
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Interactivity and Control: The Aesthetics of Real Space Interactives
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Interface and Active Space: Human Machine-Design
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Interface Metaphors and New Narratives in Interactive Media
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Interpenetrations: Art, Science, Cultural Theory
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Intro Towards a Descriptive Approach of Gesture and Sound Interaction
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Is Digital Art Contemporary? Panel intro
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Is There an Avant Garde in Digital Arts?
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ISEA2016 Keynote Panel
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Kunstliche Kunst: Art and Aesthetics in Times of the Artificial
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Les Nouvelles Technologies et le Retour au “Primitivisme” de l’art
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Literary Hypertext (From a Writer’s Point of View)
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Literature, Journalism, and the Telematic Society 2: Fact, Fiction, Faction; Converging Styles in Literature and Journalism in On-line Publications
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Literature, Journalism, and the Telematic Society 3: Electrified Language
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Livestreaming in theory and practice: Four provocations on labour, liveness and participatory culture in games livestreaming
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