Panels (Sorted by Title)
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[Title] [Presenter Last Name] [Year]
Title:
A Transdisciplinary Approach to Research-creation (When Art is Part of Everything Else)
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After the Gold Rush: Gold Farming in China – and in Western Academia
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Any Resemblance to Any Other World Known or Unknown is Purely Coincidental
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Archiving Digital Heritage: Pioneers of Fin-De-Siecle Latin America Introduction
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Art and Artificial Life in Latin America: the Historical Legacy Takes on the Artistic Establishment
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Art, Mediation and Contemporary Art Emergent Practices
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Art, Science and Anthropology Experiments: Inviting other Knowledge about Mosquito-borne Diseases through Transdisciplinary Collaborations
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Art-Science: Curricular Models and Best Practices (Leonardo Education and Art Forum [LEAF] Meeting)
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Artistic Strategies in Generative Art Practices
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Artists Teaching Artists: Case Studies of the Masterclass paradigm
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Between one and zero: noise, ghosts and plasticity
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Bio-Creation of Informatics: Rethinking Data Ecosystems in the Network Economy
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Biomedical Signals in Media Art: towards the Awakening of Internal Peace
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Brazilian Pioneers in Art and Technology: Waldemar Cordeiro, Abraham Palatnik and Otávio Donasci
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Can Non-anthropocentric Relationships Lead to True Intimacy with Technology?
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Cinematic Experiences and Bio Visualization Introduction
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Civic Media and Data (h)ac(k)tivism: Environments, Tools and Practices for Critical Data+Code Literacy and Visualization
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Closer and The Nether: The End of Intimacy as We Once Knew It
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Computational Thinking in Art/Design Education
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Creativity and imagination in the history of art and physics
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Cum Panis: the Biopolitics of Self, Fermentation and Revulsion
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Dance and Virtual Physics: The Mass of the Object Does Not Necessarily Equal the Object of the Mass
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Dancing in Suits: A Performer’s Perspective on the Collaborative Exchange Between Self, Body, Motion Capture, Animation and Audience
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Data and Public Policy: An Approach to Data Ecosystems from a Human Rights Perspective
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Title:
Design for the Non-Human
Presenter(s):
- Tyler Fox
- Elizabeth Demaray
- Jordan Matthew Yerman
- Kira Decoudres
- Adam Zaretsky
- Leigh M. Smith
- Helene Steiner
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Digital Imaging and Artistic Education: A Pedagogical Model With Free Software GIMP
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Digital Threshold: Art, Body and Self-reflection on the Screen
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Documenting the Digital Critics: Analysing and Archiving Criticism After the Internet
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Donation Alerts on Twitch.TV: Commodification of Community and Attention
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Electronic Art in Brazil: Exhibition Spaces, Museological Strategies and Digital Archive
Presenter(s):
- Priscila Arantes
- Marcos Cuzziol
- Malu Fragoso
- Cleomar Rocha
- Nara Cristina Santos
- Tania Fraga
- Reynaldo Thompson
Title:
Emerging Narrative Forms and Bit Sensations
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Environmental Aesthetics and Nature Immersion Art Practices
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Establishing the Continuously Unfinished: The Institution as an Artistic Medium
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Evolved Architectural Representation: From Orthographic Drawings to Corporal Mapping and Swarm Behaviour
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Exquisite, Apart: Remoteness And/As Resistance
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Facing Affect: Synthetic Interface & Meaning
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Fake Organum: The Uneasy Institutionalisation of Art as Research
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Feminizing the Archives of Digital Art: Recovering the Work of Female Artists Working in Mexico, 1960-1980
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Forking as Cultural Practice: Institutional Governance after the DAO
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Foro Académico de Diseño y Arte Latinoaméricano
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Founding Meeting Inter-Society for the Electronic Arts
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From Insider Knowledge to Anecdote to Apocrypha: Reflections on How Media Art has Been and Could be Historicised
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Get Lucky: Cognitive Aspects of Generative Art
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Graphic Design Principles and Computer Programming
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Higher Education for Sustainable Transitions by Mutual Learning in Immersive Transdisciplinary Real-world Laboratories (RwL)
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How Active is the Audience? A Study of Chinese Game Fandom
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Ideology of Liveness and falsification of the ontological “Live”
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Immersions in a Field Phenomenon: Going with the Flow
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Interdisciplinary Innovation, Collaboration and Learning Processes in Academia
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Intimate Disavowal: Turning Away from Technological Media Art
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Julio Le Parc & the GRAV: Instability, Movement, Active Past. A Perspective Look on his Work and Ideas from the Present of Electronic Art
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Laboratories and Digital Experimentation Centers in Ecuador: First New Technologies Art Experiences
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Latin American Forum Legacy
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Latin American Kinetic Art and Its Relationship With Electronic Art: Gyula Kosice and Abraham Palatnik
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Livestreaming, participatory culture, and gender politics at the edge of e-sports
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Mariotti’s Ritual Artefacts and the Origins of Media Art: In search of the Lost Multisensorial Characteristics of New media
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Medium-Specificity and Sociality in Expanded Cinema Re-Enactment
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Methodological Approaches and Sensitive Experiences Based on Nature Immersions, Field Trips and Rural Residencies Introduction
Presenter(s):
- Bart Vandeput
- Karla Schuch Brunet
- Carlos Augusto Moreira da Nóbrega
- Laura Beloff
- Maria Luiza (Malu) Fragoso
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Mirroring Sherry Turkle: a discussion on authenticity, humanity and technology
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Moving Image + Data Visualization = Connection Visualization
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Multimodal Interaction, Medial Arts and Education: A case applied in the multimodal learning of bioinformatics concepts and the visualization of biological data
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Nam June Paik: Cybernetics and Machines at Play
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New Realities of the Body in Contemporary Performance
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Object Hierophanies and the Mode of Anticipation
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Overscale Art in Public Space: from Play to Dysplay
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Panel on Sonology: Sonifying the Conflict
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Plasticity: Noise, Correlation and Interaction
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Rapid Response Collecting and Curating: Learning from the Victoria and Albert Museum
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Reimagining the Art Institution as an Open Source Civic Organisation
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Science Fictional Aesthetics: The Novum & Cognitive Estrangement in Contemporary Art
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Self-Willed: Flux and Reaction in Systems, Organisms and Materials
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Shaping Cultural and Creative Space: Beijing as a Case Study
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Signal Territories, Infrastructures and Intermediaries: New Interfaces for Art Science and Communication Policy
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Software Art and Design: Computational Thinking Through Programming Practice and Critical Code Theory
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Speculative Objects: Materialising Science Fiction
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Texting a Machine: Assembling an Emotional Response
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The Aesthetics of Codes, from Multimedia Design to Creative Art Education
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The Blog-The Memory Dump, The Disregarded Power of Undone Art
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The E-conference: Collapsing the Walls of the Arts Conference
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The Impact of Gestalt Perceptual Organization in the Stereoscopic Theatre Environment
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The Inter-Society for the Electronic Arts Revived?
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The Internet of Bodies: Future Human / Machine Choreographies
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The Mutualism Relation within the Entrepreneurial Ecosystem
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The People´s Smart Sculpture: Social Art in European Spaces
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The Persephone Project: Technologically Convergent Artificial Ecosystem
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The Radioactive Ecologies of Ken and Julia Yonitani
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The Rhythm and Structure of Multi-Cultural Communication
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The Webrecorder’s Challenge of Enabling Access to Dynamic Webbased Art
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Towards an Inventory of Best Practices for Transdisciplinary Collaboration
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Towards Geospatial Cultural Planning: Strategies for Local Cultural Innovation through Locative New Media Art
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Training Methods for Transdisciplinary Collaboration: Best Practices and Didactics for Team Work Panel Introduction
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Transcoding Place Through Digital Media
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Was Part of the Media Arts History Swept Under the Carpet? (Latin America’s Lost Ark)
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When a School of Satellites is a School of Photography
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‘Democratising’ Curating: Speed, Sexuality and Selfies
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...and there was light! Rhetorical Performances in the Digital Realm
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2 Performances in the 21st. C Virtual Color Organ
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30+ Years of Artistic Data Visualization: evolution, trends, opportunities
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3D Visualisation for Patient Centred Communication
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@juspar [1] and Now Quoting Galloway [2]: “Code is the Only Language that is Executable”. Does What it Says. #code #chun [3] #netpol1010
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A Computer-Controlled Marionette for ‘Out of the Body Theater’
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A Conceptual Gap Between Art and Business?
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A Diffractive Reading of the Messy Entanglements Between Mainstream Contemporary Art, Sci-Art and New Media Art
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A Failed Coup Attempt with Folk Songs (Part III): Anonymity and the Anonymous in a Culture of Sharing
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A Layered Process: Lyrical Improvisation
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A Living Catalogue for Anish Kapoor: Revealing Untold Stories in Rich Media Museum
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A Matter of Perception: Exploring the Physicality of Electronic Art
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A Multi-Cultural ISEA
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A poetics of exile: the place of memory in the new media environment
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A Question of Antagonism: Identity, Representation of Self and New Media in Thailand
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A Second Manifesto for Neuroplastic Arts
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A Seismic Moment: Sound as weapon, from Jericho to Waco
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A Study of the Changing Role of Typographic Education Within the Context of Hypermedia
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A talk about compositional gameplay and musical instrumentation
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A talk on Video Synthesises to accompany the Catching Light panel at ISEA2013
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A to X: Audience Experience in Media Art Research
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About The Appearance of Digital and Technological Arts: For a Rehabilitation of the Memory
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Abstract Machines Within the Local and Global Dynamics
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Aesthetic and User Experience in Biofeedback Art
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After Privacy: Surveillance, Sexuality and the Electronic Self
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Agency and Autonomy: Intersections of Artificial Intelligence and Creative Practice
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Agency in a Dish: Supposed a Semi-Living Brain be Art (Maker)
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Algorithmic Generation of Temporal Forms
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Alien Agencies: the unstable dance between art, techno-science and new matter
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Alternative Histories of Computer Music: CSIRAC
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Amplexus Poetics: Language, Art and New Software Forms
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An Intent to Communicate Semaphores: Listening Posts, and other recent work
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An Interrogation of Space
Presenter(s):
- Peter Anders
- Pamela Jennings
- Jim Leftwich
- Patrick Lichty
- Gregory Little
- Timothy McFadden
- Mike Mosher
- Scott Patterson
- Dan Livingstone
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Analyzing Disruptive Tactics and Strategies in Media Activism
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Animated Ideas: Investigating the Language of Animation
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Anna’s Cabinet of Curiosities: From the Series ‘Pages From the Book of the Unknown Explorer’
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Annie Abrahams’s Experiments in Intimacy
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Anonymous and the Politics of Social Media
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Anti-Author(ity) Manifesto: Digital World is a Plane
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Anti-Disciplinary Art: Rejecting the Standard Forms
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Anticipated Future; Controller and Controlled: Interchangeability
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Arabic Medicine Contributions to the Field of Ophalmology and Beyond
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Archiving as Art or Data Base Esthetics
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Arctic Perspective Initiative (API)
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Are Endings Necessary? Closure in Interactive Narrative
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Art and the Economy: How do they relate in the Digital Age?
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Art and the Liminal: Imagination, Liminality and Avatar-Mediated Presence
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Art In Science or Science In Art? On an Often Underestimated Relationship
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