Panels (Sorted by Title)
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[Title] [Presenter Last Name] [Year]
Title:
(Re)volting Data
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...and there was light! Rhetorical Performances in the Digital Realm
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2 Performances in the 21st. C Virtual Color Organ
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30+ Years of Artistic Data Visualization: evolution, trends, opportunities
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3D Visualisation for Patient Centred Communication
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@juspar [1] and Now Quoting Galloway [2]: “Code is the Only Language that is Executable”. Does What it Says. #code #chun [3] #netpol1010
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A Computer-Controlled Marionette for ‘Out of the Body Theater’
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A Conceptual Gap Between Art and Business?
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A Diffractive Reading of the Messy Entanglements Between Mainstream Contemporary Art, Sci-Art and New Media Art
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A Failed Coup Attempt with Folk Songs (Part III): Anonymity and the Anonymous in a Culture of Sharing
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A Layered Process: Lyrical Improvisation
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A Living Catalogue for Anish Kapoor: Revealing Untold Stories in Rich Media Museum
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A Matter of Perception: Exploring the Physicality of Electronic Art
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A Multi-Cultural ISEA
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A poetics of exile: the place of memory in the new media environment
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A Question of Antagonism: Identity, Representation of Self and New Media in Thailand
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A Second Manifesto for Neuroplastic Arts
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A Seismic Moment: Sound as weapon, from Jericho to Waco
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A Study of the Changing Role of Typographic Education Within the Context of Hypermedia
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A talk about compositional gameplay and musical instrumentation
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A talk on Video Synthesises to accompany the Catching Light panel at ISEA2013
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A to X: Audience Experience in Media Art Research
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About The Appearance of Digital and Technological Arts: For a Rehabilitation of the Memory
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Abstract Machines Within the Local and Global Dynamics
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After Privacy: Surveillance, Sexuality and the Electronic Self
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Agency in a Dish: Supposed a Semi-Living Brain be Art (Maker)
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Algorithmic Generation of Temporal Forms
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Alien Agencies: the unstable dance between art, techno-science and new matter
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Alternative Histories of Computer Music: CSIRAC
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Amplexus Poetics: Language, Art and New Software Forms
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An Intent to Communicate Semaphores: Listening Posts, and other recent work
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An Interrogation of Space
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- Peter Anders
- Pamela Jennings
- Jim Leftwich
- Patrick Lichty
- Gregory Little
- Timothy McFadden
- Mike Mosher
- Scott Patterson
- Dan Livingstone
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Analyzing Disruptive Tactics and Strategies in Media Activism
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Animated Ideas: Investigating the Language of Animation
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Anna’s Cabinet of Curiosities: From the Series ‘Pages From the Book of the Unknown Explorer’
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Annie Abrahams’s Experiments in Intimacy
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Anonymous and the Politics of Social Media
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Anti-Author(ity) Manifesto: Digital World is a Plane
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Anti-Disciplinary Art: Rejecting the Standard Forms
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Anticipated Future; Controller and Controlled: Interchangeability
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Arabic Medicine Contributions to the Field of Ophalmology and Beyond
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Archiving as Art or Data Base Esthetics
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Arctic Perspective Initiative (API)
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Are Endings Necessary? Closure in Interactive Narrative
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Art and Artificial Life in Latin America: The Historical Legacy Takes on the Artistic Establishment
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Art and the Economy: How do they relate in the Digital Age?
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Art and the Liminal: Imagination, Liminality and Avatar-Mediated Presence
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Art In Science or Science In Art? On an Often Underestimated Relationship
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Art in the Age of Networks
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Art In The Post-Biological Era
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- l’Observatoire Leonardo des Arts et des Techno-Sciences OLATS
- Centre for Advanced Inquiry in the Interactive Arts, Science, Technology and Art Research Group CAiiA-STAR
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Art, Body and Technology: an overview of current approaches from Latin America
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Art, Design and Interactivity
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Art, Mediation and Contemporary Art Emergent Practices
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Art-Science: Curricular Models and Best Practices (Leonardo Education and Art Forum [LEAF] Meeting)
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Art-Science: Exchange or Bartering?
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Art-Sciing: Slippery Terminologies and Language Performances in Art and Science Collaborations
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Artificial Changelings: A Work of Responsive Cinema in Progress
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Artificial Consciousness: Will Art replace the Artist?
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Artificial Gender, Natural Technology, and Emergent Mind
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Artificial Intelligence in the Arts
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Artificial Life: Challenges and Possibilities Panel Intro
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Artificial Life: Challenges and Possibilities Panel Member
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Artistic Electronic Networking Experiences with the First Mobile Electronic Cafe International: Casino Container
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Artistic Identity on the Net Panel Introduction
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Artists as the New Producers of the Common (?)
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Artists Teaching Artists: Case Studies of the Masterclass paradigm
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Artists’ Autonomous Transport Infrastructures
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Architecture as New Media
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Aspects of Realtime Scoring and Extreme Sight Reading
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Asymmetries in the Control of Information and Ideas
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At the Time of Writing: Digital Media, Gesture and Handwriting
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Augment_me: Anthropomorphising the Other and Augment the Self
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Background: Decontamination and Martial Law in the Anthrax Age
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Bad Men, Good Men and the Data Ganger Cometh
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Balance-Unbalance (E-Arts Meets the Actual World)
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Being in Nothingness: Virtual Reality in Perspective
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- Phil Hayward
- Nancy Paterson
- Carl Loeffler
- Jennifer Hall
- Mike Gigante
- Joachim Sauter
- Anna Couey
- Myron W. Krueger
- Susan Wyshynski
Title:
Bending Light: Strange Tales From the Projective Plane
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Benji: A Brief History of the Man Who Brought the Intelligence of Search to our DNA
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Best Practices in Banana Time (aka, Is That iPhone Working or Playing?)
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Between Image and Icon: The Real and Virtual City
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Between one and zero: noise, ghosts and plasticity
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Beyond the Book: Computer-Based Literature
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Beyond The Digital Diaspora: Flame Wars
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Between a Thing and a Thought: The Neuropsychology of Selfhood
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Between Hybridity and Hyper-Space: AES+F’s The Feast of Trimalchio (2008)
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Between Past and Future: Collaborating in the City Space
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Bio-Architectures, Virtual Cities: The Revolutionary Human-Machine Community
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BioARTCAMP: Trekking the Lab Into the Field
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Biometrics, Identity Validation, Data Flavoring and The Keeper of Keys
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Biotopological Reconfigurations: Biospatial Affections and Infections
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Birding the Future: environmental health within a regional and global perspective
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Body Maps: The Virtual Body Project
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Body Matters Panel Introduction
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Boys would only like the programme because there are boys in bands: how preschool children’s television tells the story of contested spaces
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Brazilian Artists and Curators
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Bringing Interactive Animated Characters Out to the User
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Bringing the Imaginary Back into Play
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Building Bridges or Tearing Apart Authorship: On-line Collaborative Art
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Can Non-anthropocentric Relationships Lead to True Intimacy with Technology?
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Capture, Measure, Rhythm: Inventing New Relations of Aesthetics and Politics in the Electronic Arts
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Capturing Dance and Choroetopography: Analyzing and Visualizing Complexity
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Centers and Institutes for Art and Technology Panel Introduction
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Centers and Institutes for Art and Technology Panel Member
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Chastity Belts, Voluntary Incarceration, Sexual Politics & Art
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City Scapes
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- Charlotte Pochhacker
- Hermann Asselsbergh
- Els Opsomer
- Rony Vissers
- Sabine Bitter
- Helmut Weber
- Yvonne Wilhelm
- Alexander Tuchacek
- Christian Buehler
- Bart Lootsma
Title:
Cleaning and Character in Motion Capture Portraits
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CoLab panel: performance and interactive technologies
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Collaboration vs. Autonomy: Models of Social Computing in the Arts
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Collaborative Manufacturing Units Against the Black Box
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Collaborative Approach to Wearables Production
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Collateral Damage: Clouds, Criminality and Chatbots
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Commedia del Multimedia and Locomotion Pictures Panel Statement
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Complexism: Art + Architecture + Biology + Computation, A New Axis in Critical Theory? (part 1 and 2)
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Computer Animation Panel
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Computer Generated Photography and Neoclassical Sensibility
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Computer Music in Chile 1970-1980: COMDASUAR
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Computer Programming and Conception of Cities
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Computer Programming Education and Creative Arts
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Computers and Sculpture
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Computers and Sculpture in the USA and France
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Computers and Sculpture in the USA and France Panel Introduction
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Computers in Theatre: New Dimensions for Stage, Actors and Audience
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Computer Music, Music Languages, Live Coding
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Computers as Metaphor, Minds as Computers: Notes Towards a Dysfunctional Robotics
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Conspiracy dwellings: surveillance in contemporary art
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Conscience, Memory and Protest: Vestiges of the Forever War
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Contemporary Art and Climate Change: The Aesthetics of Disappearance at the Poles
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Coping with Hyperculture
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Copyright And The Creative Commons
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Corps et sens en Performance Videographique Panel Statement
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Cordon off the Contempt in a Word Compartment (and Other Whispering Moments)
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Creating an Art & Technology Infrastructure for the San Jose International Airport
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Creative industries forum
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Creative Communities: Nooks, Niches, and Networks
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Creating Toy Cities: The Experience Design of Transmedia Objects
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Creating with the Camera, Canvas, and Computation
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Critical Art Ensemble Science/Art and their legal limitations
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Critical Frictions, Connective Affinities: “Ideologies of Interactivity”
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