“Vibrant Landscapes” by Colin Ives
Title:
- Vibrant Landscapes
Artist(s) and People Involved:
Filmmaker, Video Artist, or Animator(s):
Symposium:
- ISEA2022: 27th International Symposium on Electronic Art
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More artworks from ISEA2022:
Venue(s):
Medium:
- AI generated videos
Duration:
- 3:30
Artist Statement:
We live at a time where there are a set of predictive calculations occurring for any given action. This might be most obviously when we are online and as a result of data mining highly targeted ads appear. But predictive analytics powered by Artificial Intelligence is already being deployed throughout all levels of our social structure, from policing and medicine to models of climate change. The sheer persuasive utility of these AIs underwrite particular the logics of their practice. The amplification of the value of functionality accounts for their ever-increasing deployment even in the face of known problems such as the way in which they can retain or extends cultural bias. In this context using AI in a non-functional way is an act of resistance.
The ai generated videos included in Vibrant Landscapes are based on movement through real ecologically fragile landscapes. The work acknowledges how our expansive technologies have led to crises; yet its aim is restorative. The AI algorithm, trained on original footage I shot of these landscapes, generates new sequences by predicting and adding new frames. The spatial trajectory of the source footage troubles the AI’s process of “understanding” patterns of relation. The resulting videos have an animate sense of desynchronization, an aesthetic strategy that reveals the copresence of multiple durations, temporalities, and tempos. The representational drift evokes upheavals in geological time, an ever-changing reshaping: destruction, renewal: vibrancy. We’ve tried to contain the natural world, to dam its living rivers and stop its fluctuations, but here they’re set adrift in the unresolved contingencies of our times. Comfort and crises.
