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ISEA2025 - [Seoul, KR]
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2021 Pre-2022 Event - [Virtual / Barcelona, SP]
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ISEA95 - [Montreal, CA]
ISEA2020 - [Virtual / Montreal, CA]
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ISEA94 - [Helsinki, FI]
ISEA2019 - [Gwangju, KR]
ISEA2008 - [Singapore, SG]
FISEA'93 - [Minneapolis, USA]
ISEA2018 - [Durban, ZA]
ISEA2006 - [San Jose, USA]
TISEA (1992) - [Sydney, AU]
ISEA2017 - [Manizales, CO]
ISEA2004 - [Helsinki, FI & Tallinn, EE]
SISEA (1990) - [Groningen, NL]
ISEA2016 - [Hong Kong, SAR China]
ISEA2002 - [Nagoya, JP]
FISEA (1988) - [Utrecht/The Hague, NL]
ISEA2015 - [Vancouver, CA]
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“DOMESTIC LIGHT: A mid-project Artist Talk” presented by Winters, Chang, Macallum, Velazco, Fipro, et al. …
“Recreating Memory in Miniature” presented by Knowles and Sowerwine
“Counterpilot Made You Do It” presented by Sibthorpe
“Scenario Design for Embodied Digital Experiences” presented by Neville
“World-building through techno-scientific creative practice: a case study of workshops as material discursive curatorial tools” presented by Palankasova
“An Interdisciplinary Methodology for Practice-Led Research in Public Ambient Installation” presented by Power
“DB: web art archive of multimedia labs for gender equality.” presented by Furtado
“We Are The Clouds: Blending Interaction and Participation in Urban Media Art” presented by Guljajeva and Canet Sola
“Art, Technology and Marginal Communities. “Il giorno in cui tornammo ai campi” as a case study” presented by Gioia
“THE PRESENT IN THE FUTURE IS THE PAST: Applying Generative AI to Visualize and Imagine Cultural Heritage Sites in Both Augmented and Physical Reality” presented by Wu, Gong, Chen, Su and Ray
“Ecomedia Colorado” presented by Bianca
“Preliminary Investigations on How to Love a Machine: Apprehending Art Through a Science Aesthetic” presented by Durbach
“Molior exhibition producer in arts sciences and technologies” presented by Besson
“Make America Great Again and Again: Voices from a Virtual World” presented by Ha
“Robotic Blended Sonification: Consequential Robot Sound as Creative Material for Human-Robot Interaction” presented by Johansen, Browning, Brumpton, Donovan and Rittenbruch
“Animated cadavre exquis: a locked-down experience of collaborative filmmaking in education” presented by Hagler and Rauscher
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