Benjamin Grosser

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  • ISEA2015

    • Benjamin Grosser focuses on the cultural, social, and political implications of software. Recent exhibitions include Eyebeam in New York, The White Building in London, and Museum Ludwig in Cologne. His works have been featured in Wired, The Atlantic, The Guardian, Al Jazeera, Corriere della Sera, El País, and Der Spiegel. The Chicago Tribune called him the “unrivaled king of ominous gibberish.” Slate referred to his work as “creative civil disobedience in the digital age.” Grosser’s recognitions include First Prize in VIDA 16, the Expanded Media Award for Network Culture from Stuttgarter Filmwinter, and a commission from Rhizome.

Role(s) at the symposia over the years: