Diego Costa
ISEA Bio(s) Available:
ISEA2011
Diego Costa is a Provost research fellow at the University of Southern California’s Interdivisional Media Arts & Practice PhD program and a teaching assistant in Gender Studies. His film work explores the constitutive and symptomatic relationship between queer flesh and queer psyche in essayistic self-fiction and domestic ethnography modes. In the feature-length The Parricide Sessions (2007), shown at the IFC Center in New York and international film festivals, Costa engages in psychodramatic games with his father, who is invited to play Costa’s former lovers in the film. In Project ADAM (2010) Costa probes the naked body of a “perfect faggot”being in an empty room, asking what might be lodged in his throat and celebrating the never-ending non-productivity of his existence. As an academic Costa has focused his research on digital sexual economies, gender-nonconformant children, and barebacking — through a hybridization of contemporary Queer Theory and Lacanian Psychoanalysis. He approaches art practice vis-à-vis methodological research as akin to the clinical labor of psychoanalysis. The reason and rigor normally associated with scientific methods are, thus, imbricated in rigorous attentiveness to the unconscious. He asks how might we nurture a necessary distance from artwork and theory so that we can listen to the unconscious for the purposes of developing a symptomatology of the research (and the researcher)? Costa will discuss the importance of psychoanalytical literacy as a means to unsettle any kind of method regarding the human experience. Screening examples of his experimental film and installation work, he explores how allowing the unconscious to take shape through art, coupled with a well-honed ability to read it utilizing the symbolic language of Lacanian psychoanalysis, can contribute to the formation of a new research paradigm where the researchers include their own desire among their objects of study.