Nell Tenhaaf
ISEA Bio(s) Available:
ISEA2011
Nell Tenhaaf is an electronic media artist and writer. She has exhibited across Canada, the US and in Europe. A survey exhibition of fifteen years of her work entitled Fit/Unfit opened in April 2003 at the Robert McLaughlin Gallery in Oshawa and then traveled to four other venues. Tenhaaf’s works created between 1989 and the mid-1990s were aimed at deconstructing the dominance in mainstream biological and biotechnology discourse of DNA as the master molecule. The discourses themselves have evolved since then. Later works attempt to represent some of the complex dynamics of life and involve the viewer as one element in a continuous flux, for example in Push/Pull (2009), Flo’nGlo (2005), Swell (2003) and the touch-activated video installation UCBM (You Could Be Me, 1999).
Tenhaaf has recently been collaborating with sound artist John Kamevaar and computer science researcher Melanie Baljko. Tenhaaf has published numerous reviews and articles that address the cultural implications of biotechnologies and artificial life. She has been a jury member for the Vida/Life art and artificial life competition based in Madrid since its inception. Tenhaaf is an Associate Professor in the Visual Arts department of York University in Toronto, Canada and is represented by Paul Petro Contemporary Art.
ISEA2002
Nell Tenhaaf (Canada) is an electronic media artist and writer living in Toronto, Canada. Her interactive installation work combines algorithms from Artificial Life with familiar methods of display such as rows of coloured LEDs. These are used to position viewers as “evolving populations” caught in the act of adapting to artificiality in their environment. Tenhaaf is an Associate Professor of Visual Arts at York University in Toronto.
ISEA1998
Nell Tenhaaf, Toronto, Canada.
ISEA1996
Toronto-based photographer, teacher, writer and feminist.
ISEA1995
Nell Tenhaaf (Canada).
Website:
Last Known Location:
- Toronto, Ontario, Canada
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Collaborations:
Presentations:
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Title: What Happened to the Pioneers?
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ISEA95
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Title: Interpenetrations: Art, Science, Cultural Theory
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ISEA96
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Title: Why Should I Get a New One If the Old One Ain’t Broken? Aesthetics, Pragmatics and Social Tactics Of Low-Tech
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