Przemyslaw Jasielski

ISEA Bio(s) Available:

• ISEA2022

  Przemyslaw Jasielski (born 1970, based in Poznan, Poland), artist, researcher, experimenter who combines art with science and technology. Member of HAT Research Center at Adam Mickiewicz University. He creates installations, objects, drawings and photographs.
  In the creative process he approaches work with the attitude of an engineer, adapting the precise planning and scientific research, with the main focus on the conceptual content. His works confront the actual present reality with its transformation to allow the viewer to observe it in a new, fresh way. They often try to take actions commonly seen as impossible, useless or ineffective. Jasielski took part in exhibitions all over the world – one man shows such as Paper Bridge Over Stone Water (Tokyo, Japan, 2012), Analog Immigration (Cleveland OH, USA, 2013), and group shows – L’arte differente: MOCAK al MAXXI (Rome, Italy, 2016), Draft Systems (Wroclaw, Poland, 2017), and ISEA Special Exhibition (Gwangju, South Korea, 2019).

  ISEA2019

  Przemyslaw Jasielski (b.1970) is an artist, researcher, experimenter based in Poland combining art with science and technology. Member of HAT Research Center. He creates installations, objects, drawings and photographs. In the creative process he approaches work with the attitude of an engineer, adapting the precise planning and scientific research, with the main focus on the conceptual content. His works confront the actual present reality with its transformation to allow the viewer to observe it in a new, fresh way, they usually contain a specific, critical sense of humour. Jasielski took part in several exhibitions – among others, one man shows such as Paper Bridge at Tokyo Wonder Site (Tokyo, Japan, 2012), Analog Immigration at CSU Galleries (Cleveland OH, USA, 2013), and group shows – L’arte differente: MOCAK al MAXXI at MAXXI (Rome, Italy, 2016), Draft Systems at WRO Media Art Biennale 2017 (Wroclaw, Poland, 2017), Nonsense Technologies at MOCAK (Krakow, Poland, 2017).