Robertina Šebjanič

ISEA Bio(s) Available:

• ISEA2024

  Robertina Šebjanič (Ljubljana)- https://robertina.net/ – is an awarded and internationally exhibited artist/researcher whose work explores the biological, chemical, (geo)political and cultural realities of aquatic environments and the impact of humanity on other organisms. In her analysis of the Anthropocene and its theoretical framework, the artist uses the terms “aquatocene” and “aquaforming” to refer to the human impact on aquatic environments. Her works received awards and nominations at Prix Ars Electronica, Starts Prize, Falling Walls, RE: Humanism.

  She has exhibited/performed at solo and group exhibitions as well as in galleries and at festivals: Ars Electronica (Linz), Kosmica festival – Laboratorio Arte Alameda (Mexico City), Matadero (Madrid), La Gaîté Lyrique (Paris), Le Cube (Paris), MONOM, CTM (Berlin), Art Laboratory Berlin, ZKM (Karlsruhe), re:publica (Berlin), Mladi Levi (Ljubljana), Cukrarna (Ljubljana), Centro de Cultura Digita (Mexico City,) Device art and Touch me festival_Kontejner (Zagreb), Museum of Contemporary Art Belgrade – MoCAB, Eastern Bloc (Montreal), Eyebeam (New York), Palais des Beaux-Arts BOZAR (Bruselj), CAAM – Centro Atlántico de Arte Moderno, Grand Canaria, Museum of Contemporary Art Zagreb MSU, Museum of Contemporary Art Ljubljana +MSUM and more.

  ISEA2023

  Robertina Šebjanič (SI), artist who explores the biological, (geo)political, cultural realities of aquatic environments. In her analysis of the Anthropocene, she uses the terms “aquatocene” and “aquaforming” to refer to the human impact on watery habitats. Her work was awarded: Prix Ars Electronica, Starts Prize, Falling Walls.

  ISEA2022

  Robertina Šebjanič is an artist whose work explores the cultural, geopolitical and ecological realities of aquatic environments and the impact of humanity on other organisms. She tackles the philosophical questions at the intersection of art, technology and science. In her analysis of the Anthropocene and its theoretical framework, the artist uses the terms “aquatocene” and “aquaforming” to refer to the human impact on aquatic environments. Her works received awards and nominations at Prix Ars Electronica, Starts Prize, Falling Walls.

Website:

• https://robertina.net/