Sabine Fabo stud­ied His­tory of Art, Media The­ory and Eng­lish Lit­er­a­ture in Duis­burg, Essen and Siegen, Germany. Her Ph.D the­sis was on the in­ter­dis­ci­pli­nary and me­dial re­la­tions be­tween James Joyce and Joseph Beuys.  In 1991 she was en­gaged as free­lance col­lab­o­ra­tor at the Kun­st­samm­lung Nor­drhein-West­falen in Dus­sel­dorf.  In 1991-1997 she was Aca­d­e­mic As­sis­tant in the field of Media Cul­ture at the Acad­emy of Media Arts Cologne. In 1998 , she was a Ful­bright Re­search Vis­i­tor to New York Uni­ver­sity/Amer­i­can Stud­ies de­part­ment, guest lec­turer at the In­sti­tute for Eu­ro­pean Cul­tures, Russ­ian State Uni­ver­sity for Human Sci­ences, Moskow and guest lec­turer at the Acad­emy of Fine Arts, Venice. Since 1998 she has been Pro­fes­sor of His­tory and The­ory of Art and Media at the Uni­ver­sity of Ap­plied Sci­ences Aachen. She is a mem­ber of the Ad­vi­sory Com­mit­tee of Sound Stud­ies, Berlin. Her fields of study are cul­tural as­pects of mul­ti­me­dia, con­cepts of the total work of art and sub­ver­sive artis­tic prac­tices. Her writ­ing, Par­a­sit­i­cal Strate­gies, was pub­lished by Kun­st­fo­rum In­ter­na­tional in 2007.