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ISEA2025 - [Seoul, KR]
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ISEA97 - [Chicago, USA]
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2021 Pre-2022 Event - [Virtual / Barcelona, SP]
ISEA2010 - [Dortmund, Essen, Duisburg, DE]
ISEA95 - [Montreal, CA]
ISEA2020 - [Virtual / Montreal, CA]
ISEA2009 - [Belfast, UK]
ISEA94 - [Helsinki, FI]
ISEA2019 - [Gwangju, KR]
ISEA2008 - [Singapore, SG]
FISEA'93 - [Minneapolis, USA]
ISEA2018 - [Durban, ZA]
ISEA2006 - [San Jose, USA]
TISEA (1992) - [Sydney, AU]
ISEA2017 - [Manizales, CO]
ISEA2004 - [Helsinki, FI & Tallinn, EE]
SISEA (1990) - [Groningen, NL]
ISEA2016 - [Hong Kong, SAR China]
ISEA2002 - [Nagoya, JP]
FISEA (1988) - [Utrecht/The Hague, NL]
ISEA2015 - [Vancouver, CA]
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“Heavy Metal and the Oratorio for a Million Souls” presented by Helyer
“Media-Aesthetic Expressions of Worldly Sympathy The Illuminations of Le Tricolore” presented by Ag
Cash Rules Everything Around Me: Reading the Recuperation of Hip-hop through Rancière’s Political Aesthetics and Attali’s Distinguishing of Signal and Noise
Microtemporality: Techno Sex in Art: Mating Man and Machine In the Solve et Coagula Experiment
Microtemporality: At The Time When Loading-in-progress
Between Decay and Preservation: A Personal Approach to Media Art Archiving
Reading Digital Art in the Age of Double-Coding
A Double Détournement in the Classroom: HK Protest Online Game as Conceptual Art
Building Like Animals: Using Autonomous Robots to Search, Evaluate and Build
Ulysses Pact: Metagenomic Entanglements
FileLife: Kurenniemi and the Question of Living Archives
On-line Film Circulation in China: The Case of Youku Tudou As a Creative Corporate Soft Power Champion
“This is a techno-necklace from my great grandmother”: Animism-Inspired Design Guidelines for Digitally Ensouled Jewellery
Intimate Technologies: The Ethics of Simulated Relationships
Connecting Indigenous Cultures to Design Pedagogy
“Arcade Videogame Interface Aesthetics” presented by Nolan
Starcraft II and Chinese Scroll Painting: Narrative Ideas for RTS Computer Games
Using Expressive Musical Robots: Working with an Ensemble of New Mechatronic Instruments
Occult Computing for Artists: An introduction
Simondon’s Concept of the Image: At the Junction of the Technological and the Animal
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