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ISEA2025 - [Seoul, KR]
ISEA2014 - [Dubai, UAE]
ISEA2000 - [Paris, FR]
ISEA2024 - [Brisbane (Meanjin), AU]
ISEA2013 - [Sydney, AU]
ISEA98 - [Liverpool / Manchester, UK]
ISEA2023 - [Paris, FR]
ISEA2012 - [Albuquerque, USA]
ISEA97 - [Chicago, USA]
ISEA2022 - [Barcelona, SP]
ISEA2011 - [Istanbul, TR]
ISEA96 - [Rotterdam, NL]
2021 Pre-2022 Event - [Virtual / Barcelona, SP]
ISEA2010 - [Dortmund, Essen, Duisburg, DE]
ISEA95 - [Montreal, CA]
ISEA2020 - [Virtual / Montreal, CA]
ISEA2009 - [Belfast, UK]
ISEA94 - [Helsinki, FI]
ISEA2019 - [Gwangju, KR]
ISEA2008 - [Singapore, SG]
FISEA'93 - [Minneapolis, USA]
ISEA2018 - [Durban, ZA]
ISEA2006 - [San Jose, USA]
TISEA (1992) - [Sydney, AU]
ISEA2017 - [Manizales, CO]
ISEA2004 - [Helsinki, FI & Tallinn, EE]
SISEA (1990) - [Groningen, NL]
ISEA2016 - [Hong Kong, SAR China]
ISEA2002 - [Nagoya, JP]
FISEA (1988) - [Utrecht/The Hague, NL]
ISEA2015 - [Vancouver, CA]
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Music Technology and Gender
Parallel Cinema, Necrorealism and Video Art in St. Petersburg
Conversion
A Note on the History of Russian Media Art
“The Electronic Garden” presented by Whitecross
Soros Centers for Contemporary Arts Network
The Tools of Desire and New Technologies
Media Art in Russia
Art and Technology as the New Avant-Garde
The Prosthesis of the Event in Cyberspace: La reserche du temps perdu beyond Oedipe and Gnosis
Golem of Consciousness
Redefining the State of Art
Soul of a Binary Machine: Introduction to Techno Music and Rave Culture
“Configuring Hospitable Space” presented by Harris
Sound Design, Nature and the Post-Real
“Live Interaction: Applications for Real-Time FFT-Based Resynthesis” presented by Settel and Lippe
Vectors and Virtual Space
Sounds Natural: Sonic Landscapes and the New Age
“Interactive Journeys: Making Room to Move in the Cultural Territories of Interactivity” presented by Neumark
Amplifications: Transformations in Sound and Technology in the Western Avant-garde and Experimental Arts
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