Paper – Page 130 – ISEA Symposium Archives

All artwork and text on this site are the exclusive copyrighted works of the artist or author. ALL RIGHTS RESERVED. Any unlawful redistribution or reproduction of artwork featured on this site without prior express written authorization of the copyright owner is strictly prohibited.

The Role of Eye Contact and Spectatorship in Interactive Installations

Chasing after the Mixer

Re-enacting And Open Sourcing As Methods For Experiencing Programmed Art Utopia

Semiotics of Glitch Artistic Practice

“Media-Aesthetic Expressions of Worldly Sympathy The Illuminations of Le Tricolore” presented by Ag

Cash Rules Everything Around Me: Reading the Recuperation of Hip-hop through Rancière’s Political Aesthetics and Attali’s Distinguishing of Signal and Noise

Microtemporality: Techno Sex in Art: Mating Man and Machine In the Solve et Coagula Experiment

Microtemporality: At The Time When Loading-in-progress

Between Decay and Preservation: A Personal Approach to Media Art Archiving

Reading Digital Art in the Age of Double-Coding

A Double Détournement in the Classroom: HK Protest Online Game as Conceptual Art

Building Like Animals: Using Autonomous Robots to Search, Evaluate and Build

Ulysses Pact: Metagenomic Entanglements

FileLife: Kurenniemi and the Question of Living Archives

On-line Film Circulation in China: The Case of Youku Tudou As a Creative Corporate Soft Power Champion

“This is a techno-necklace from my great grandmother”: Animism-Inspired Design Guidelines for Digitally Ensouled Jewellery

Intimate Technologies: The Ethics of Simulated Relationships

Connecting Indigenous Cultures to Design Pedagogy

“Arcade Videogame Interface Aesthetics” presented by Nolan

Starcraft II and Chinese Scroll Painting: Narrative Ideas for RTS Computer Games