A Brief History of Musical Authority
Symposium:
- ISEA2011: 17th International Symposium on Electronic Art
- More presentations from ISEA2011:
Session Title:
- Tyrannies of Participation
Presentation Title:
- A Brief History of Musical Authority
Presenter(s):
Venue(s):
Abstract:
Panel: Tyrannies of Participation
This presentation focuses on the relationship between recording, authorship and the idea of composition. Working across three different periods, I examine the tensions between individual and collective musical creation and look at music as a living social practice as opposed to an object. Western notation immortalized individual composers and created a musical hierarchy in which music became a less collaborative social practice and more an industrial factory reproducing the composer’s properties. In the early twentieth century, recording technology challenged the individual composer’s authority by granting the same immortality to improvising musicians and other live performers. Since the year 2000, new technologies have enabled collective tools for collaborative composition (e.g., Rocket Music, Indaba). Though these tools promise distributed authorship, they may also be reinforcing individualistic tendencies in musical creation, composition, and recognition.