From “Immaterial” to “Hypermaterial”
Symposium:
- ISEA2011: 17th International Symposium on Electronic Art
- More presentations from ISEA2011:
Session Title:
- On the Persistence of Hardware
Presentation Title:
- From “Immaterial” to “Hypermaterial”
Presenter(s):
Venue(s):
Abstract:
Panel: On the Persistence of Hardware
In this proposal, it is submitted to approach the digital technologies through the question of their materiality. To do this, the references will be taken from theoretical and conceptual propositions by some french philosophers. It means the philosophical conceptions on new technologies concerning the materiality that emerged from the exhibition named “Les immatériaux” or “The immaterials” by Jean-François Lyotard in 1985, conceived in the context of the postmodern condition, and until the essay “Economy of hypermaterial and psychopower” published by Bernard Stiegler in 2009, and analysed in the situation that he calls a hyperindustrial society in an ultramodern perspective, this without forgetting the specificities of digital art defined by the artist Edmond Couchot and the philosopher Norbert Hillaire in their book “Digital art, or when the technology comes to the art world”, edited in 2003.
Electronic, computer program, virtual interfaces, all constituents of the computer, make seem the digital as immaterial. Electronic by its intangible physical appearance, the computer program by its calculation and its languages, systems that are already symbols, and so, some abstractions. Don’t we call a computer an abstract machine? But, how about that? The immaterial has been used by Lyotard to define the new state of plastic art produced with computer, but also its simulated texture composed by complex calculations. And here is coming the program and its central role in the working of computer: it is a specificity of the digital, up to Couchot and Hillaire. But for Stiegler, the invisibility of the material does not make it disappear : in the contrary, the infinitely little is still a state of material, and the problem to consider is the form of the materiality as an information. This paper would like to develop a sort of historical definition and conception of the new technologies of information through these philosophical concepts.