Techno-Human: New Form of Hybrid Human; From Science-Fiction Cinema to the Post-Modern Society
Symposium:
- ISEA2011: 17th International Symposium on Electronic Art
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More presentations from ISEA2011:
Session Title:
- From Still to Moving Image
Presentation Title:
- Techno-Human: New Form of Hybrid Human; From Science-Fiction Cinema to the Post-Modern Society
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Abstract:
Science-fiction cinema has always significant role as an art form to define and discuss the future of interaction between human and technology; telling the stories of altered identities and expanded bodies for instance; Videodrome (1983), the Terminator (1984), Crash (1996), the Matrix (1999), Johnny Mnemonic (1995) and so on. As science-fiction cinema promises, today, in the non-fictional world, human being is exposed by machines; cars, computers, mobile phones, networks, prosthesis and others. Therefore, body and identity of human is changed by technology, especially by digital devices and it is necessity to find a new explanation for this new form of human in the renewed post-modern society. When Scott Bukatman (1993) explains this reformed human figure in SF cinema with the notion of “terminal” body and identity, after 10 years, Giuseppe O. Longo (2003) use the term “homo-technologicus” for man-kind of the 21st Century. Referencing these two approaches; this paper discusses the process of how human body and identity is affected by machines and how this alteration materialized from science-fiction cinema to the real life. In addition, this paper explains and uses a new term “techno-human” to define the new hybrid version of the human that lives in between non-fictional world of social networks, television, the Internet, mobile phones and fictional world of science-fiction cinema. Definition of hybrid “techno-human” includes implanted and virtual bodies, relocation of human limbs, devices as extension of bodies, digitized memories, technophilia and televisionized identities.
