Tele_Trust
Symposium:
- ISEA2011: 17th International Symposium on Electronic Art
-
More presentations from ISEA2011:
Session Title:
- Bodies as Bio-Interfaces
Presentation Title:
- Tele_Trust
Presenter(s):
Venue(s):
Abstract:
“I am part of the networks and the networks are part of me…I link, therefore I am.” _William J. Mitchell, ME++: The Cyborg Self and the Networked City.
How do we trust each other as networking bodies?
In our contemporary networked society, interaction increasingly takes place through wireless, social networked media. The possibilities of tele-presence have made place and distance irrelevant for the experience of social proximity and allow ‘networking bodies’ to be present at several locations, temporalities and social settings at the same time. At the same time the public space turns into a ‘smart environment’ that increasingly interacts with the electronically and digitally enhanced body.
These developments cause profound changes in the role of the body and physical presence since mediated presence leaves little or no room for touch, face to face encounters, and body language that are, according to many philosophers and social scientists, core components for the building of trust and reciprocity, which are in turn the foundations of social structures.
Tele-Trust is a research into how mediated and tele-present society bodily based experiences of presence, reciprocity, and trust can be generated, mediated and maintained.Tele_Trust is a critical and sensitive exploration in how we can intensify networked affective experiences in relation to the mediated body. It looks for new forms of interaction, participatory systems and interfaces, in which the conditions for ‘trust’ can be recognized and acknowledged or differently perceived. New insights, innovative technologies, and the human body meet to initiate and inspire (yet) unimaginable types of intersubjective engagement.
Tele_Trust contains both a theoretical and artistic experiential research.
The theoretical context are media-theories emphasizing the central position for affective and receptive sensory processes in the body experiencing the world – and perceiving the other. The artistic experiential research takes place in artistic ‘Social Labs’ in dynamic public spaces, where the parameters for body presence are tested using networked wearable devices. The testing takes place in multi actor systems in different social and geographical cultures. The ‘Social labs’ participants contributions are added to a data-base and website, creating an engaging, intercultural agora on new parameters for a hybrid, networking bodies’ trust.
