“The Composer and Orchestral Expression: Closing the Gap” presented by McNabb

Symposium:

• SISEA: Second International Symposium on Electronic Art
• More presentations from SISEA:  

• Facets of Electronic Art

• The Composer and Orchestral Expression: Closing the Gap

• Michael McNabb

Venue(s):

• Cultural Center de Oosterpoort, Groningen, Netherlands

• When composers began using computers to make music, the relevant computing conditions were in a state much as they are today for computer graphics. In order to achieve the level of realism, expressive control, and timbral nuance necessary for a satisfying and successful musical art, real-time control was out of the question. Compute ratios of 100 or 200 to 1 were not uncommon, especially when computeintensive qualities such as digital reverberation were included. But back around 1976 when I began my doctoral work at Stanford, the excitement and satisfaction at working in a pioneering and futuristic medium was great enough to make us abandon good sense and spend the small hours of the morning computing a few tens of seconds of music.

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