“The Role of Risky Objects in an Internet of Things” presented by Huybrechts

Symposium:

• ISEA2010: 16th International Symposium on Electronic Art
• More presentations from ISEA2010:  

• New Art Theory

• The Role of Risky Objects in an Internet of Things

• Liesbeth Huybrechts

Venue(s):

• Volkshochschule (VHS Dortmund), Dortmund, Germany

• A growing amount of designers wants to create mediating objects that contribute to a participatory relation between people and space, like RFID toolkits, mobile augmented reality applications, often referred to as locative media or Internet of Things (IOT) applications. Raessens states that:

  Negotiated, oppositional, and deconstructive readings (more so than dominant ones), configuration and selection (more so than exploration), and construction (more so than reconfiguration) are all, in their own specific way, part of what I call participatory media culture.  (Raessens, 2005).

  Literature and expert interviews in the framework of my Phd research in the field of Cultural Studies suggest that risky objects offer a good framework for designers of IOT applications, since they trigger a kind of sociality which fits well in the definition of participatory culture. Latour states that the Space Shuttle Columbia was a risky object on the moment of the disaster on February 1, 2003. It talked for itself, about the technical and organizational problems that led to the disaster, when it transformed from something complicated, automatic and autonomous into a more transparent rain of debris. The shuttle seemed silent and autonomous in a ‘normal’ situation, but became critical and a full-blown mediator in this context, putting a social situation under pressure, while stimulating alternative conversations about it (Latour, 2005).

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