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Symposium:
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- NeuroArts
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Abstract:
Chair Persons: Jane Grant & John Matthias
Presenters: Oron Catts, Paul Broks & Magnus RichardsonRather than considering the aesthetics of art and music as a way of approaching an understanding of perception and brain function, NeuroArts emphasizes the direct use of Neuroscientific models and materials in artistic practice. In NeuroArts, neurons and neuronal models are examined outside of the body/brain emphasizing an artistic-engineering approach with either the physical material of brain, or the adaptation of biological models of spiking neurons. In using models of spiking neurons within art, sound and music, the internal structure of the brain becomes external, its plasticity exposed, its pathways and networks malleable. This gives us a standpoint from which to critically engage and question multi-scale concepts such as the importance of the cell, network topology and plasticity, self-hood, memory and consciousness. The first International NeuroArts conference outlining the new subject area which took place in February 2011 at University of Plymouth. NeuroArts at ISEA develops key themes from the first International NeuroArts Conference, and will consider two main themes:
- Philosophies of scale within NeuroArts: from the scale of the single cell to the mesoscopic scale of brain emulations through to emergent large-scale phenomena including self-hood and consciousness.
- What are the relationships between plasticity, stimulation and firing patterns in small brain circuits? And, how can their adaptation in artistic projects alongside synaptic plasticity, and cellular topologies be exploited to make adaptive art?
We hope that the explorations of these themes will help to define the boundaries of this new subject within an interdisciplinary environment.