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Symposium:
Session Title:
- Hybrid Cultures
Presentation Title:
- Untitled
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Abstract:
Chair Persons: Kerstin Mey & Yvonne Spielmann
Presenters: Ryszard Kluszczynski & Sabine FaboHybrid cultures are phenomena of essential connections in the present. They emerge from diverse and complex influences. Hybrid cultures are mergers that combine past and present, local and translocal, space and place and technoscape. Hybridity is expressed in various cultural contexts and in the in-between spaces of arts, media, science and technology. Under the sign of the digital and the global, hybridity connotes a cultural manifestation of multiple appearances, as in cyberspace and multiple selves. We apply the term hybrid cultures to the contemporary inter-connectedness that derives from the technological possibilities of merging virtual worlds and real life experience and to art practices that instigate creative in(ter)vention into our global media present, as well as to scientific research that aims to blur the boundaries between human and machine, science and science fiction. In applying the term hybrid cultures, we propose to discuss a critical concept of hybridity that inter-relates the debates and practices of the interdisciplinary domains of media, cultural and aesthetic theories. The scrutiny of digital cultures as fields of hybrid interaction allows us to more closely examine the culturally mixed expertises that combine different aspects of theory and practice at work, in locally produced and globally distributed media forms, and in the convergence of network-based science and knowledge technologies, with creative art practices. As a starting point, we wish to scrutinise the critical stance of hybrid cultures: what are the cultural effects of hybrid practices in arts and media, science and technology? What kind of fusion can promote inter-medial and inter-cultural understanding? How can hybrid cultures resist corporate commercialisation? How can they benefit from transnational, transcultural, and translocal possibilities of digital communication? With regard to the plurality of media and cultures that are prominently discussed as hybrid, the panel encourages critical investigation of:
- the place of the artist, the cultural critic, the communicator and mediator of technological change
- new forms of collaboration between disciplines and cultures
- the extension of the concept of hybridity across borders without losing its identity of creative intervention into the here and now
Questions the panel will raise: How much multiplicity and plurality do we want and need in globally networked communication? And what kind of specificity and difference in the midst of blurring is necessary for the identity formation of our cultures, arts, and sciences? How are complex relationships between arts and sciences and technologies creating a new vision of hybrid cultures?