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Symposium:

• ISEA2011: 17th International Symposium on Electronic Art
• More presentations from ISEA2011:  

• Interart / Intersensorium. On the Interrelation of Media and the Senses

• Untitled

• Anke Finger
• Christiane Heibach

Venue(s):

• Sabanci Center, Istanbul, Turkey

• Chair Per­sons : Anke Fin­ger & Chris­tiane Heibach
  Pre­sen­ters: Ran­dall Packer, Cre­tien van Campen & Bir­git Mers­mann

  In­ter­art Stud­ies has es­tab­lished it­self as a field wherein schol­ars from a va­ri­ety of dis­ci­plines an­a­lyze the in­ter­re­la­tion be­tween dif­fer­ent art forms based on his­tor­i­cally di­ver­gent con­cepts of mono- and in­ter­me­di­al­ity. In­ter­me­di­al­ity, in turn, de­notes in­ter­re­lated strate­gies of dif­fer­ent media de­signs that gen­er­ate new forms of pre­sen­ta­tion and re­cep­tion modes – modes that amount to more than just an ac­cu­mu­la­tion of the media in­volved. To cite one ex­am­ple: the in­te­gra­tion of film/video in some the­atre per­for­mances today merges 3-D-(the stage) and 2-D-(the screen) tech­nolo­gies. This in­ter­re­la­tion not only changes the stage de­sign, but also af­fects the ac­tors’ per­for­mances as they in­ter­act with each other while main­tain­ing vis­i­bil­ity in front of the screen. This si­mul­tane­ity de­mands in­creased at­ten­tion to both nat­ural (the co-ac­tors) and tech­ni­cal media (film/video) – and, by de­fault, the same ap­plies to the re­cep­tion modes of the au­di­ence. Con­se­quently, the no­tion of in­ter­me­di­al­ity com­prises media pre­sen­ta­tion strate­gies and in­ter­sen­so­r­ial per­cep­tion modes.  This new phe­nom­e­non or trend is, as of yet, barely ac­counted for in In­ter­art Stud­ies, ex­cept­ing a few no­table mod­els such as Car­o­line A. Jones’s con­cept of “sen­so­rium” that re­lates sen­so­r­ial per­cep­tion to cul­tural me­di­al­iza­tion. In­ter­sen­so­r­ial per­cep­tion, nonethe­less, is cur­rently emerg­ing as a promi­nent area in var­i­ous dis­ci­plines, show­cas­ing new phe­nom­e­no­log­i­cal ap­proaches.

  This panel, then, seeks to push this area fur­ther, par­tic­u­larly em­pha­siz­ing the role of media and me­di­al­iza­tion: Brian Mas­sumi’s and Mark Hansen’s work, for ex­am­ple, de­spite its sig­nif­i­cance, con­tin­ues to em­ploy an un­dif­fer­en­ti­ated no­tion of “em­bod­i­ment“ to de­scribe in­ter­sen­so­r­ial per­cep­tion. As a re­sult, they ig­nore the dif­fer­ences of sen­so­r­ial data, which an­chor sense per­cep­tions in di­verse cul­tural con­texts. Ad­di­tion­ally, the me­di­ated and hence cul­tur­ally pre-formed char­ac­ter of sen­sual per­cep­tion is mostly dis­re­garded in favour of a con­cept that em­braces a dif­fuse, im­me­di­ate sens­ing process that seems to be ‘pre-me­dial’ or ‘ex­tra-me­dial’. At its core, and to high­light the cul­tural dif­fer­ences of sen­so­r­ial data, this panel seeks to ad­dress cur­rent re­search un­der­taken by the cog­ni­tive sci­ences to em­pha­size the in­ter­sec­tions of in­ter­art and in­ter­sen­so­rium as processes of per­cep­tion that are in­ter­locked with cul­tural for­ma­tions – a tri­an­gu­lar con­t­a­m­i­na­tion or rec­i­p­ro­cal process much in need of fur­ther ques­tion­ing and ex­am­i­na­tion.

Category:

• Panel