“Art, memory, and place. Pioneering research and technology innovation to support creation (when resources are scarce)” presented by Dal Farra
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The development of electroacoustic music during the second half of the 20th century represents a significant achievement in a renewal and long convergence process between art, sci- ence and modern technologies. New aesthetic values and models, scientific theories, technologies and techniques grad- ually met, allowing a new approach to listening, understand- ing and creating music. In Latin America, technology innova- tors were pioneering the development of instruments and de- vices that allowed the creation of new media art, including electroacoustic music. Juan Blanco from Cuba, José Vicente Asuar from Chile, Raúl Pavón from Mexico, César Bolaños from Peru, and Fernando von Reichenbach from Argentina were among those innovative creators and engineers.
