“Downwind” by Raewyn Turner, Brian Harris
Title:
- Downwind
Artist(s) and People Involved:
Exhibiting Artist(s):
Symposium:
Venue(s):
Artist Statement:
A continuation of Raewyn’s investigation in sensing the human plume, Downwind explores our differences in olfactory sensitivity and selectivity due to the genetic basis of human olfactory variability. The human plume trails downwind from each body carrying with it signature odours and emotional and environmental olfactory architectures which are the fragrances of our civilisation and times. They are the olfactory cyphers of change, yet sensing them is defined by a combination of genetics and personal experiences. The whole of nature is communicating by olfactory signals that we usually disregard, immersed as we are in a synthetically flavoured and fragranced atmosphere. The revolutionary wind of genetic discovery suggests that we may not all be perceiving the same reality. We’re working with scientific research in olfaction to explore the behaviour-changing signals of smell, beginning with fugitive smell compounds as well as ones known to elicit specific anosmias–the inability for some people to smell a particular odour that others can easily detect. The work explores controlled delivery of 19 specifically chosen smell compounds through everyday objects. The pods sense human presence and respond by expressing calibrated amounts of smell via a programmed mechanism that uses arduinos, servo motors, ultrasonic distance sensors.
Over the past 2 years we’ve collaboratively created experiments around olfactory perception.
Artwork instructions: Please place a little sugar on your tongue to help amplify your sense of smell. Place your upturned hand on the silver dish to receive a few grains of sugar and push it sideways til the hammer rotates and sugar falls. As you approach the lid opens to allow spooning a little sugar into your hand.
