Philippe Pasquier

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Most Recent Affiliation / Department / Job Title:

  • Simon Fraser University, Faculty of Communication, Arts and Technology, Asscociate Professor


  • ISEA2015

    Philippe Pasquier (FR/CA) is Associate Professor and Graduate Program Chair at Simon Fraser University’s School of Interactive Arts and Technology. He is both a scientist specialized in artificial intelligence and a multi-disciplinary artist. His contributions range from theoretical research in artificial intelligence, multi-agent systems and machine learning to applied artistic research and practice in digital art, computer music, and generative art. Philippe is the Chair and investigator of the AAAI series of international workshop on Musical Metacreation (MUME), the MUME-WE concerts series and the International workshop on Movement and Computation (MOCO). He has coauthored over 100 peer-reviewed contributions.


    Philippe Pasquier (France/Canada) an associate professor in the School of Interactive Arts and Technology of Simon Fraser University’s Faculty of Communication, Arts and Technology, Vancouver, Canada, since January 2008.


    Philippe Pasquier, FR/CA. After studying computer science, artificial intelligence and cognitive sciences in Europe, Canada and Australia, Philippe Pasquier joined Simon Fraser University’s School of Interactive Arts and Technology in January 2008 as an assistant professor. Philippe Pasquier is both a scientist specialized in artificial intelligence and a multi-disciplinary artist. As a scientist, his work has focused on the development of models and tools for endowing machines with autonomous, intelligent or creative behavior. Contributions vary from theoretical research in individual and societal agent theories to applied research in computational creativity. As an artist, he has been acting as a performer, sound designer, composer, producer, jury, committee member and teacher in many different contexts. He is serving or has served as a member or administrator of several artistic collectives (Robonom, Phylm, MIJI), art centers (Avatar, Bus Gallery) and artistic organizations (P: Media art, Machines, Vancouver New Music) in Europe, Canada and Australia. His work has been shown internationally and funded and supported by more than 20 scientific and or cultural institutions including the National Sciences and Engineering Research Council, the Canadia Council for the Arts, the French Ministère de la Culture et de la Communication, the Australian Research Council and the Australian Council for the Arts.


Current Location:

  • Vancouver, Canada

International Programme Committee:


  • 2015 Overview: Wong Theatre – AV Disruption
  • 2015 Overview: Fortune Sound Club – Algorave

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