Taara Minds
ISEA Bio(s) Available:
ISEA2024
Born and resident in the south of France, Taara devotes herself to research on an ontological level, and is completing a Master 2 in Aesthetics (2022) after a DEUG in natu-ral sciences.
Alongside writing the essay L’Immanence du Soi/Mai B, Way of Being (2023), she identifies herself as an artist in a new style of post-conceptual art using the cell phone as an instrument. Using the tree as a model and archetype, she exhibits her digital art (Symbiose 1; 2; 3) at the Salon des Artistes Français, in Paris (02.2023), then (Vertébral 1 and 2) at the Medina Art Gallery in Rome (08.2023 ).
She now explores fractal space through the works Enan-tiomêtre 1 and 2, Structural 2, Hallucithérien 1 and 2, Être cosmique 1 9 5 (2024)
Currently, she claims a spiritual art, and is dedicated to the installation project L’olivier Baptismal intemporel and will be apart of a artist presentation for “more than human”, in the Brisbane Convention and Exhibition Center on June 26th.