Tatsuo Unemi

Most Recent Affiliation(s):

Soka University, Faculty of Engineering Department of Information Systems Science, _Professor

ISEA Bio(s) Available:

ISEA2019

Tatsuo Unemi was born in Kanazawa, Japan in 1956. After he graduated from Department of Control Engineering, Tokyo Institute of Technology in 1978, he worked in the fields of Artificial Intelligence as a graduate school student, a research associate, and a lecturer. He received a doctor’s degree in 1994 from the same university. He has been teaching Computer Science at Soka University since 1992, and working as a professor since 2012. He develops artistic software such as SBArt for visuals and SBEAT for music.

ISEA2015

Tatuo Unemi, Department of Information Systems Science, Soka University, Tokyo, Japan. Tatsuo Unemi graduated from Department of Control Engineering, Tokyo Institute of Technology in 1978, received Master’s degree from Department of System Sciences in 1980, and Doctor’s degree in 1994 from the same university. He worked as a research associate from 1981 to 1987 at Tokyo Institute of Technology, as an assistant professor at Nagaoka University of Technology, as an assistant professor at Soka University from 1992, as an associate professor from 1995, and then the current position from 2012. Since 2003, he has worked with Swiss-based artist, Daniel Bisig, for new-media art projects. Their works have been exhibited and demonstrated in international events related to new-media arts, such as ARCO 2007 in Madrid, 10th Japan Media Art Festival in Tokyo, Art Escapes 2007 in Valencia, SIGGRAPH 2009 in New Orleans, ISEA2010 in Dortmund, WRO 2011 in Wrocław.

ISEA2012

Prof. Tatsuo Unemi, Faculty of Engineering Department of Information Systems Science, SOKA University, Hachiōji, Tokyo, Japan

ISEA2010

Tatsuo Unemi is a professor at Soka University in Tokyo where he teaches in the fields of Soft Computing and Media Programming.

Both Unemi and Bisig are active as scientists and artists and have collaboratively realised several interactive works for installation and performance. The simulation of biological behaviour forms a central underlying commonality in their works.