Long Paper – ISEA Symposium Archives

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“Imitation-Classification–Construction: Vessels of Vanitas and the Changing Meaning of Ornament” presented by Klein and Kraemer

“After Dan Graham: An archaeological approach to virtual reality art” presented by Han

“After the Tunnel: on Shifting Ontology and Ethology of the Emerging Art-subject” presented by Ag and Benayoun

“Art and the Broken Mirror: a Technogenetic Perspective on Digitally Expanded Realities” presented by Ag

“The Unbearable Lightness of Meaning Game” presented by Grace

“Storydiving: Techniques for Engaging 360 Narratives” presented by Lipsyc

“Simulating Photography: Images Made by the Scanning Electron Microscope” presented by Tyurina

“Privacy in the Age of Mobile XR” presented by Rodriguez and Laurenzo

“Cognitive Assemblages in Ecological / Digital Art” presented by Rettberg

“The Idiosyncrasies of Shutter Speed” presented by Toister

“In Search of Holistic Spirituality: A Philosophy of a Physi-Musiking Practice” presented by Lee

“From Real to Virtual Embodied Performance: A Case Study Between Dance and Technology” presented by Barros, Ferreira-Lopes and Moura

“Telepresence: A Collective Virtual Reality Performance Experience” presented by Bhumber and Lee

“Using the Internet as a Platform to Destabilise Gallery Spaces, Curation and Artistic Practice” presented by Whitaker

“Mobile Art: The Art of the Social” presented by Hjorth

“Mixed Reality Art Experiments: Immersive Access to Collective Memories” presented by Herder, Takeda, Vermeegen, Davin, Berners, Ryskeldiev, Zimmer, Druzetic and Geiger

“Mexican Electronic Art: Reuse and Reinterpretation of Technology” presented by Oviedo

“Toward the Experiential VR Gallery using 2.5-D” presented by Park, Chon, Lee and Kim

“Art Museums Facing the Light of Reality: An Approach to Virtual Reality Inside Museums” presented by Gobira and Silva

“Acting-Centred Definitions of Vactors, Synthespians, and Digital Doubles” presented by Kennedy