Paper – Page 12 – ISEA Symposium Archives

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Digital Art Festival, Biennial Of Digital Art and Labcult (UFMG/PPGCI)

VR as a Preservation and Simulation Tool for Media Art Installations

A Brief History of STARTS

ELMCIP Electronic Literature Knowledge Base

A Database of Interdisciplinary Art in Russia

Archiving and Researching Media Art in Israel: Challenges, Innovative Solutions, and Potential International Collaborations

A History of the Internet through MoMA’s Exhibition Sites: Web-Archiving Art Content at NYARC

Archiving Australian Media Arts: Towards a Method and a National Collection

Sentience and High Fidelity Haptics: the New Frontier in Content Creation

A Little Better: Emotions in the Age of Cryptocurrency

Cyborg and Prosthesis: The Body of Subjective Motivation Extension

Intercultural Dialogue in Museums through Mixed Reality

The Problem with Immersion

Post-immersion: Towards a Discursive Situation in Media Arts

Expanded Notes on the Exhibitionary Conditions of Virtual Reality

Physical Grainclouds: Granular Sound Art in the Physical World

An Invitation to DANCE: Making Sense of Viewer Interaction in Installation Art

The Revisit of Sentience: Nam June Paik’s Big Sleep in Interactive Art

Gestural Metaphor and Emergent Human/Machine Agency in Two Contrasting Interactive Dance/Music Pieces

WaterWays Visualization Computational Reflexivity for Sustainability Action