Paper – Page 127 – ISEA Symposium Archives

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‘Here’s Peeping at You’: The Computer Screen, the Logic of the Gaze, and the Miniaturization of the Image Window

“Day-Dreaming States in Interfaced Environments” presented by Domingues

“Metaphors in the Mix” presented by Berry, Tadenuma, Makino and Hikawa

Actual-fictive-virtual space: Theatre Interactivity Within a “Liquid Architecture”

‘Kansei’ in Non-Linear Automated Music Composition: Semiotic Structure and Recombinicity

The Ontological Meaning of Musical Interactivity: towards the aesthetic research of the musical interactive art

“Quasi Crystals for Architecture” presented by Robbin

Feminist Cultural Landscapes

“Simulation as Animation” presented by Caldwell, Linehan and Parent

“Computer Simulation of Callographic Pens & Brushes” presented by Knowlton and Donoghue

“Orphics: Computer Graphics and the Temporal Dimension of Electronic Colour” presented by Zajec

“Esthetics of Islamic Art: Potentials of the synergy Science/Art/Spirituality” presented by Chafchaouni

“Art for the Biospheres” presented by Claus

“Machine Culture” presented by Penny

“Computer: Muse or Amanuensis?” presented by Frazer

“The Emperor’s New Art” presented by Maxwell

“Recent Advances in Electronic Art & Media” presented by Reiser and Stitt

“Compuser” presented by Detev

“A Software Tool for the Functional Performance of Music” presented by Stiglitz and Haus

“Chaos and Creativity: The dynamic systems approach to musical composition” presented by Beyls