Paper – Page 60 – ISEA Symposium Archives

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Active Cinema

HyperPresence: Telepresence via Quantum Cinema

Physical Cinema: Memory, Schema and Interactive Video

“Investigating the Notion of Art2.0” presented by Veenhof and Molga

The Ephemeral in AV Realtime Practices: An Analysis Into the Possibilities For its Documentation

Sketches of an Interdisciplinary Practice: Essential In-formation For Post-Digital Thinkers

Trajectories, Circulation, Assemblages: The Heterogeneous Modes of Endurance of Digital Arts Practice in Montréal

A Cybersemiotic Approach to Technoetic Arts: New Vocabularies in Transdisciplinary Research

The Return of the Digital: Reflections on the Digital-Cultural Feedback Loop

Precarious Flux

Theorizing New Media in a Global Context

That Strange Feeling

The Eyes That Stop the Trains: Time, Movement and Agency in Moving Image Technologies

Flying, Spinning, and Breaking Apart: Live Video Processing and the Altered Self

Vessels for Infinite Veracity: Theatre Machines and the Body

“The Fluctuating Border between Architecture and the Body in Shiver” presented by Ludwig

Digital Performance in Networked Public Spaces: Situating the Posthuman Subject

Circles and Props: Making Unknown Technology

Tele_Trust

Modelling Performance: Generic formal processes in live digital performance