Short Paper – ISEA Symposium Archives

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“Data-Doppelgänger: Infinite Regress” presented by Zhu, Ribeiro and Wei

“Interpersonal Emotions: Exploring Humans Behavioral Patterns” presented by Zheng and Chen

“Electric Dreams” presented by Zhang

“The ‘Chinese Room’：Humans’ Emotional Projections Onto Machines” presented by Xie

“Playing to be in Dja Dja Wurrung Country: A Learning Program Creating Locative Games” presented by Nguyen and Riley

“A Thousand Dreams Unbuilt: Navigating Digital Empathy in the Crisis of Unfinished Buildings” presented by Zhao and Pan

“Aeolian Noises: Reconciling Wind Turbines in the Australian Landscape” presented by Gelder

“ANIMATED NOTATION “EVERYWHERE” FOR “EVERYONE”: A BROWSER-BASED APPLICATION FOR COMPOSITION, PERFORMANCE AND PEDAGOGY” presented by Smith

“Mapping the Digital Arts Industry in Pakistan” presented by Rhodes and Ul-Assar

“Innovation and experimentation to increase access to the ACMI art collection” presented by Paterson, Cranmer and Loffler

“Artistic Practice as an Alternative Research Method: Investigating Non-representational, Nonlinguistic, and Affective Forces in Technology Through Artmaking” presented by Nam

“Framing temporalities in Natalie Bookchin’s Now he’s out in public and everyone can see (2012)” presented by Maithani

“Textual Bodies: AI, Natural Language Processing, and the Erotic Landscape” presented by Huang

“CULTURAL HERITAGE VIRTUALIZATION: A Collaborative Hands-on Approach for Training Students in Archaeological Preservation” presented by Matusevich and Fernández

“A Soundscape in the Virtual Reality World: How to Economically De-sign a VR Soundscape Assignment” presented by Ha

“Make America Great Again and Again: Voices from a Virtual World” presented by Ha

“Echoes of Heritage: Uniting Immersive XR and Live-Action Roleplay for Rural Renaissance” presented by Guo, Li and Gao

“Asymmetric VR Installation and Repertoire: Time and Space in Collaborative Interaction” presented by Chang

“Negotiating Temporality” presented by Wright