“Dancing in Suits: A Performer’s Perspective on the Collaborative Exchange Between Self, Body, Motion Capture, Animation and Audience” presented by Hutchison

Symposium:

• ISEA2013: 19th International Symposium on Electronic Art
• More presentations from ISEA2013:  

• Mixed Reality Transformations: shifting relationships between movement, embodiment, somatics and image

• Dancing in Suits: A Performer’s Perspective on the Collaborative Exchange Between Self, Body, Motion Capture, Animation and Audience

• Stephanie Hutchison

Venue(s):

• The University of Sydney, Sydney, Australia

• Panel: Mixed Reality Transformations: shifting relationships between movement, embodiment, somatics and image

  Keywords: dance, motion capture, interactive performance, somatic practices.

  The motion capture process places unique demands on performers. The impact of this process on the simultaneously artistic/somatic nature of dance practice is profound. This paper explores, from a performer’s perspective, how the process of performing in an optical motion capture system can impact and limit, but also expand and reconfigure a dancer’s somatic practice. This paper argues that working within motion capture processes affects not only the immediate contexts of capture and interactive performance, but also sets up a dialogue between dance practices within and beyond the motion capture studio.

  Full text (PDF) p. 119-122

• [View Full Paper/Presentation]

Category:

• Panel