“Towards Sensemaking in the Meshwork of Technology, Ecology and Society: Symbiosis of Aesthetics, Performance, and Digitalization” presented by Unknown presenters

Symposium:

• ISEA2023: 28th International Symposium on Electronic Art
• More presentations from ISEA2023:  

• Robots – Expanded Corporalities (full papers)

• Towards Sensemaking in the Meshwork of Technology, Ecology and Society: Symbiosis of Aesthetics, Performance, and Digitalization

• Symbiotic Organizations

• Claudia Schnugg
• Daniela Brill
• Christian Stary

Venue(s):

• Forum des Images, Paris, France

• To act, humans first need to make sense of the world. Thereby, sensemaking goes beyond accumulation of pure information of objects or rational knowledge production, but it encompasses additional information such as meaning, mindful engagement, socially embedded knowledge, cultural and work contexts.

  To navigate in diverse environment sensemaking becomes central to social settings, also to en-gage with technologies and understand dynamics in ecological environments. In a complex world where technologies are added components of everyday life and are envisioned as partial means to approach global challenges, social, technological, and ecological environments become intertwined. This meshwork of environments also means to bring together different kinds of knowledge as a base of sense-making through experience.

  In the Digital Sensemaking project we specifically look at digitization processes, the interaction with IoT Elements and Digital Twins through the lens of performance art to elaborate on the non-cognitive core constituents of sensemaking processes: em-bodiment, action-sense nexus, and temporality. We show that aesthetics can be found as an important dimension to bridge the cognitive and non-cognitive process and explore the role of art in this kind of research. It facilitates process and technological development in organizations entangling the social, technological, and ecological.

Category:

• Paper