Rebecca Cummins: To Fall Standing

  • ©, Rebecca Cummins, To Fall Standing

Artist(s):


Title:


    To Fall Standing

Symposium:



Artist Statement:


    To Fall Standing features a video gun and stop-motion photographs in an interactive installation reminiscent of the shooting gallery at the carnival. A tiny video surveillance camera has been fitted into the barrel of an 1880’s shotgun in conscious reference to the photographic machine gun designed by renowned French physiologist Etienne-Jules Marey in 1882 to capture the sequential movement of bird’s wings in flight.

    Considered to be one of the earliest cinematic devices, Marey’s photo-gun (converted from a Colt revolving rifle) could be seen as the first in a lineage to the Gulf War ‘slam-cam’ or missile born camera.

    “The fact that the renowned scientist Marey cast his experimental apparatus into the form of a weapon of violence (machine guns were devised exclusively for warfare) cannot help but make us wonder: how, in a few decades, did the photographic apparatus evolve from the camera obscura – a roomy and passive receptacle for the faint traces of light – into a bizarre phallic weapon without a projectile?” (DeMarinis, P., Catalogue, To Fall Standing, Artspace, 1993.)

    The relationship between guns and the cinematic is made explicit as the viewer is invited to point-and-shoot, simultaneously effecting the strobes, sight-line image which appears on a bank of monitors (video effect designed in collaboration with Steven Jones).

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