Filmmakers, Video Artists, and Animators
Sort by first letter of last name:
Art Events:
Presentations:
- Augmented Reality as Experimental Art Practice: from Information Overlay to Software Assemblage — Type(s): — Symposium:
ISEA2016
- Exploring the Responsive Site: Ko Maungawhau ki runga — Type(s): — Symposium:
ISEA2013
- Mobile Augmented Reality Art and the Politics of Re-assembly — Type(s): — Symposium:
ISEA2015
- Augmentations Across Virtual and Physical Topologies: Mixed Reality Re-assembled — Type(s): — Symposium:
ISEA2017
- Augmented Virtuality Via Experimental Art: Leap Motion and Control over Invisible Matter — Type(s): — Symposium:
ISEA2016
- Tactile Potentials: a Mixed Reality Project for Live Performance — Type(s): — Symposium:
ISEA2020
- Extensions of Reality: Plants and the Technological Virtual — Type(s): — Symposium:
ISEA2022
Art Events:
- S for Sisyphus — Type(s): — Symposium:
ISEA2016
- Book Of A Hundred Ghosts — Type(s): — Symposium:
ISEA2019
- Clouds Fall — Type(s): — Symposium:
ISEA2015
- Another Day of Depression in Kowloon — Type(s): — Symposium:
ISEA2016
- The Plastic Garden — Type(s): — Symposium:
ISEA2014
Presentations:
- Syracuse Media Studies — Type(s): — Symposium:
SISEA
- Orphics: Computer Graphics and the Feasibility of a Preferred Colour Model — Type(s): — Symposium:
TISEA
- Orphics: Computer Graphics and the Shaping of Time with Colour — Type(s): — Symposium:
FISEA
- Orphics: Computer Graphics and the Temporal Dimension of Electronic Colour — Type(s): — Symposium:
SISEA
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