Eduardo Kac

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Most Recent Affiliation / Department / Job Title:

School of the Art Institute of Chicago (SAIC), Art and Technology

ISEA Bio(s) Available:

ISEA1997

Eduardo Kac, panel co-chair, is an artist and writer who works with electronic and photonic media. His work has been exhibited widely in the United States, Europe, and South America. Kac’s works belong to the permanent collections of the Museum of Modern Art in New York, the Museum of Holography in Chicago,and the Museum of Modern Art in Rio de Janeiro, Brazil, among others. He is a member of the editorial board of the journal Leonardo, published by MIT Press. His anthology, New Media Poetry: Poetic Innovation and New Technologies, was published in 1996 as a special issue of the journal Visible Language, of which he was a guest editor. His writings on electronic art have appeared in several books and journals in many countries, including Australia, Austria, Brazil, Finland, France, Germany, Holland, Hungary, Mexico, Portugal, Spain, Russia, United Kingdom, and United States. He is an Assistant Professor of Art and Technology at the School of the Art Institute of Chicago and has received numerous grants and awards for his work.

ISEA1995

Eduardo Kac is Assistant professor of New Media in the Department of Art, University of Kentucky, he has participated in numerous exhibitions and festivals including Interface 3 Symposium (Hamburg), Siggraph ’95, and Ars Electronica (Linz). His work has also been shown at the Museum of Holography (New York), Museum of Modern Art (Rio de Janeiro), and Kunstlerhaus (Graz, Austria).

TISEA

Eduardo Kac is internationally recognized for his telepresence and bio art. A pioneer of telecommunications art in the pre-Web ’80s, Eduardo Kac emerged in the early ’90s with his radical works combining telerobotics and living organisms. His visionary integration of robotics, biology and networking explores the fluidity of subject positions in the post-digital world. His work deals with issues that range from the mythopoetics of online experience (Uirapuru) to the cultural impact of biotechnology (Genesis); from the changing condition of memory in the digital age (Time Capsule) to distributed collective agency (Teleporting an Unknown State); from the problematic notion of the “exotic” (Rara Avis) to the creation of life and evolution (GFP Bunny).