Pablo Gobira
ISEA Bio(s) Available:
ISEA2020
Pablo Gobira is a PhD professor at the Guignard School, the Graduate Program in Arts (State University of Minas Gerais, Brazil) and the Graduate Program in Knowledge Management and Organization (Federal University of Minas Gerais, Brazil), artist, curator and researcher. He is a Productivity researcher (CNPq, Brazil) and a researcher member of the Brazilian Network of Digital Preservation Services (IBICT/MCTI). Coordinator of Laboratory of Front Poetics. Writer and editor of the books “The memory of the digital and other questions of arts and museology” (EdUEMG, 2019), “Contemporary paths: realities of art, science and technology” (EdUEMG, 2018), “Post-digital configurations” (EdUEMG, 2017), “Reflecting on culture” (EdUEMG, 2017), “Games and society” (Crisálida, 2012), Walter Benjamin “Lado B” (Crisálida, 2011) among other books and articles. Operates: in the curatorship, creation and production in the field of culture, digital arts and science; as a professor in frontier courses such as the course of Engineering of Biological Machines (UFMG, UEMG and UFV) and the course of Digital Theater; curatorship of biennial, exhibitions and artistic residencies.
ISEA2019
Pablo Gobira: Professor doctor at Guignard School of Arts and Graduate Program in Arts at State University of Minas Gerais, Brazil. Research fellow and manager of Digital Preservation Services of the Brazilian Network at IBICT/ MCTI. Director of Laboratory of Front Poetics (http://labfront.tk). Editor and co-editor of the books: “The memory of digital and other issues in arts and museology” (2019); “Contemporary routes: realities of art, science and technology” (2018); “Multiple interfaces” (2018); “Post-digital features: technological art and culture” (2017); “Reflections on culture: digital books, artistic creation and contemporary reflections” (2017); “Jogos e sociedade” (2012); Walter Benjamin “Lado B” (2011) among others. Researcher of the groups: Archives Center Studies of Writers from Minas Gerais; Studies and practices of Digital Preservation. He works inn curation, creation and production in the field of relations between arts, science, technology and digital culture; as professor of frontier courses like Biological machine engineering (with professores from UFMG, UFV, UEMG and Newton Paiva); and as curator of biennial, exhibitions and artistic residencies. He is coordinator at Extension Institutional Program (UEMG): Rights to production and access to art and culture.
ISEA2017
Pablo Gobira is a professor doctor at Escola Guignard and at Postgraduate Program in Arts (UEMG, Brazil), artist, curator and researcher. He is a research fellow and manager of Digital Promotion Services of the Brazilian Network at IBICT/Brazil Ministry of Science, Technology, Innovation and Communication (MCTI). Member of the National Institute of Science and Technology INCT-Acqua (CNPq). Writer and editor of the books: “Post-digital configurations” (Forthcoming UEMG Press, 2017); “Games and Society” (Crisálida Press, 2012); Walter Benjamin “B-side” (Crisálida Press, 2011) among others books and writings. He works in curatorship, creation and production in the field of culture and digital arts and also creative economy. He is coordinating the Laboratory of Front Poetics
Website:
Last Known Location:
- Brazil
Presentations:
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Title: Preservation of Electronic and Digital Art in the Context of Expographic Spaces and Museums: An Information Management Perspective
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ISEA2017
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Title: The Exhibition Space through the Presence of Digital Games
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ISEA2017
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Title: Better Hands (Interactive Installation)
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ISEA2017
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Title: Art Museums Facing the Light of Reality: An Approach to Virtual Reality Inside Museums
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ISEA2019
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Title: Sensing the Reality: Reflections on Artistic Actions to Defocus the Real
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