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“The Innovation Potential of Sensory Augmentation for Public Space” presented by Dartel and Rooij
“Humanoid Robot Magic: Various Responses and Communication” presented by Yang, Jeong and Baltes
““The Transmediated Self”: An Interactive and Visual Metaphor of Human Cognition” presented by Bologan, Seo, Orr and Sridhar
“Colliding Systems: Formal and Real-Life Learning” presented by Nigten and Piscaer
“Seeing Life: The Impalpable Entanglement of an Artist and Microbes in Bio-Art” presented by Shin, Lee, Chon, Jiang and Yoon
“Plant Based Bio-Drone for Environmental Monitoring in The Amazon” presented by Cerpina
“Invisible Animals” presented by Szoke
“In the Spotlight: Searchlights, Art, Surveillance and Spectacle” presented by Arozqueta
“Heavy Metal and the Oratorio for a Million Souls” presented by Helyer
“Media-Aesthetic Expressions of Worldly Sympathy The Illuminations of Le Tricolore” presented by Ag
Cash Rules Everything Around Me: Reading the Recuperation of Hip-hop through Rancière’s Political Aesthetics and Attali’s Distinguishing of Signal and Noise
Microtemporality: Techno Sex in Art: Mating Man and Machine In the Solve et Coagula Experiment
Microtemporality: At The Time When Loading-in-progress
Between Decay and Preservation: A Personal Approach to Media Art Archiving
Reading Digital Art in the Age of Double-Coding
A Double Détournement in the Classroom: HK Protest Online Game as Conceptual Art
Building Like Animals: Using Autonomous Robots to Search, Evaluate and Build
Ulysses Pact: Metagenomic Entanglements
FileLife: Kurenniemi and the Question of Living Archives
On-line Film Circulation in China: The Case of Youku Tudou As a Creative Corporate Soft Power Champion
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