Paper – Page 105 – ISEA Symposium Archives

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K-O Counter-Cultures

From Kindergarten to Total Carnage

Touch Screen Interactivity and the Representation of Marginalised Groups in Museums

The Manchester Illuminated Universal Turing Machine

The Terror of Cyclic Existence

Twelve O’Clock Flight Virtual Revolutions

The War for World Four

“Revolution for All” presented by Boyadjiev

Is the Potential for Transcendence an Intrinsic Aspect of a Virtual Environment?

Theoretical Issues of Humanistic Intelligence: From Postmodernism to Pastmodernism in the Cyborg Age of Metaphysical Computing

Virtual Spaces and Ergonomics: The Feng Shui of Cyberspace

Science as Art in the Theatre of the Brain

A Manifesto for Compwriting and Re-Scriptable Information

Performance Art and Technology

Notions on David Lynch’s Use of Terror and the Importance of Film Sound

The Design of an Instrument for Visual Improvisation and Composition

Alive Cinema: Romeo and Juliet in Hades

The Form/Content Formula: Parallel Between Pre-Industrial Cinema and Current New Media Practice

Grrl Codes: the Scripting of Racial and Gender Stereotypes

Blazoned and Over-Exposed: Post-Modern Bodies in Public Spaces