Paper – Page 128 – ISEA Symposium Archives

All artwork and text on this site are the exclusive copyrighted works of the artist or author. ALL RIGHTS RESERVED. Any unlawful redistribution or reproduction of artwork featured on this site without prior express written authorization of the copyright owner is strictly prohibited.

“Using Fractals for Interactive Composition” presented by Nelson

“Live Interactive Intelligent Computer Music: Notes on Pieces done in HMSL” presented by Burk and Polansky

Australia and Electronic Art

“Thinking of Oneself as a Computer” presented by Pryor

“Prosthetics, Robotics and Remote Existence: Post Evolutionary Strategies” presented by Stelarc

“The Intelligent Machine as Anti-Christ: A Brief History of Antropomorphism in Art & Science” presented by Penny

“Communion and Cargo Cults” presented by Brown

“The Composer and Orchestral Expression: Closing the Gap” presented by McNabb

“Temporal Coherence with Digital Colour” presented by Evans

“Space Sails” presented by Fisher

“Museum technology: New Links to Interpreting, Presenting and Creating Art” presented by Search

“Searching Pictorial Databases by means of Depiction” presented by Scrivener and Charles

“Art-related Virtual Reality Applications at the University of North Carolina at Chapel Hill” presented by Holloway

“Electronic and Solar Art” presented by Hoenich

Joke Lanz is Spinning the Records: Analysis and Graphical Representation of an Improvised Concert of Experimental Turntablism

Exploring the Medium: The Indexical Function of Artistic Photomicrography Made by the Scanning Electron Microscope

A Daydreamer of Someone Else’s Dreams, A Theoretical Framework for the Future Web

Artistic Technology: Coded Cultures, “Making” and Artistic Research

AURALROOTS: Cross-modal Interaction and Learning

Hearing Blind as a New Interface for Exploring the Urban Soundscape