Paper – Page 29 – ISEA Symposium Archives

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The Image Compressed

From A-ha to Oh Shit: From Graphic Design to Glitch Design

Drawing_in_the_Media_Stream

Diving into Infinity: A Motion-Based, Immersive Interface for M.C. Escher’s Works

‘The Value of Art’: Transforming User Attention into Monetary Value in a Series of Interactive Artworks

The Renegade or an Aesthetics of Resolution: A few thoughts on a techno-imaginative toolbox and its potential for digital art as -and beyond- critique

The Economic Valuation of Digital Media Arts

Responsive Environments and Protagonism: The Sustenance Principle

Experiments in art and value: burning Bitcoins to buy Ai Weiwei

Understanding Third Space: Evaluating Art-Science Collaboration

Hybrid Ontologies: An Attempt to Define Networked Mixed Reality Art

Artist’s experiment and scientific experiment: the “provability” and creative distinctiveness of an artwork

Statuevision: A participatory, collaborative, cross-generational, urban intervention with public monuments as primary content

Infiltration, decontextualisation, appropriation and hoax: Medium Reflective artworks in the age of electronic crowds

Aesthetics of the Digital Ruins and the Future of Art Conservation

Slow Media Art: Seeing Through Speed in Critiques of Modernity

On Internet Art: A Critique of the Imperceptible Interface

Floating Identities: Me, Her and Us, An Interactive Site-Specific Art Installation Based on Adler’s Inferiority Complex to Conclude the De-tachment and Reform of Modern Females

Change: The aporia of conservation and subversion

Redundant Technology: Disrupting Lineal Narratives