Paper – Page 33 – ISEA Symposium Archives

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Alea (iacta est): Dance of Presence

“Chair de lumière” by Marjolaine Béland: How Disruptive Conditions and Mimicry Capture Attention and Favor Empathetic Resonances

Researchify: Artists’ Research as Disruption

Research through Design, Documentation, Annotation, and Curation

Disruptive Aesthetics for Interactive Artwork

Transcoding the Aesthetics of Activism

Scambaiters, Human Flesh Search Engine, Perverted justice, and Internet Haganah: Villains, Avengers, or Saviors on the Internet?

Geopolitical Subjectivity

An Aesthetic Reading of Online Artivist Projects

URME Surveillance: Analyzing Viral Face-crime

Towards an Autopoiesis of Surveillance

Remote and Embodied Sensing: observations on interactive art and politically engaged practice

Participatory (Counter-)Surveillance and the Internet

Projet EVA: Subservient Techno for Subservient Minds

Ostrich Effects

META: NOTES FROM A DANCER FROM INSIDE A DUET WITH AN AI AGENT

Emergent behaviour: learning from an artificially intelligent performing software agent

Antonymic Exchange

The Suplemento Dominical do Jornal do Brasil: Art, Poetry, and Media Design in Yellowed Newspapers and Digital Archives

The Digital Diasthima: Time-Lapse Reading Digital Poetry