Paper – Page 74 – ISEA Symposium Archives

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“Trains, Cars and Trees” presented by Veenstra and Hobijn

“The Laboratory Garden” presented by Munz

“Digital Waste or a Valuable Resource? Exploring the Aesthetics, Ethics and Value of Contextual Footprints” presented by Giannachi, Rowland and Benford

“Net Art and Preservation: For Museums and Artists” presented by Laforet

““Computer Art in the Mainstream”: How the Venice Biennale Responded to the Historisation of Computer Art in the 1980s” presented by Franco

“Codifying History: the CAT Project Examines the International Trajectory of Computer Art 1975-2000” presented by Beddard and Dodds

“The CAT Project as an Historical and Archival Collaboration” presented by Lambert

“Site-Specific Art as Necrophilia: Platform in Kimusa Exhibition in Seoul 2009” presented by Kim, Bang and Yoon

“Big Pixels: Pictoglyph to Favicon, A History of the Pixel” presented by Brodsky

“From Art as Knowledge to the Aesthetics of the Subject: New Ways of Thinking the Art of the 21st Century” presented by Albuquerque, Oliveira and Torres

“Qualia and Conceptual Blending: Another Structure of Music” presented by Schmidt, Troge and Lorrain

“What is All this Noise About” presented by Kekou, Zannos and Remy

“Multimedia Art and Multisensory Experience: Towards an “Epistemology of Multimedia”” presented by Heibach

“The Role of Risky Objects in an Internet of Things” presented by Huybrechts

“Methods of Evocation: The Evocation of the Sublime in Digital Art” presented by Bristow

“Process as Paradigm” presented by Evers and Jaschko

““… so schallt es heraus”” presented by Wehrmann and Meerhoff

“Free All Monsters!” presented by Wilson and Coulton

“Inter(root), Banyan” presented by Gromala, Song and Barnes

“Cinematics and Narratives: Prototype1.2” presented by Chavez